Scandal: A Novel

by Cosmo Hamilton

Franklin watched her go, her gleaming hair all about her like a bridal veil, her head held high, her lovely face untouched by fear. He watched her pause while the maid opened up the bed, and then slip in. He called the French girl, gave her the key to her door and waited until she had gone. Then he walked to the foot of the bed and stood there silently until Beatrix raised her eyes.

"If you and I," he said, with extreme distinctness, "were the only two living people on a desert island and there was not the faintest hope of our ever being taken back to the world, I would build you a hut at the farthest end of it and treat you as a man."

He wheeled round, unlocked the door, went out into the passage and away.

Only by having seen the expression on Beatrix's face after he had gone would he have known how tremendously well he had revenged himself.

VIII

Franklin's bare statement to Malcolm Fraser that he was going to the Vanderdyke pastoral party merely to meet Ida Larpent left his friend interested and speculative. The lady's name was as familiar to Fraser as to the other men who dined at houses a little to the east and rather less than that to the west of Fifth Avenue. The lady's arresting face had often stirred his dormant sense of psychology, but he never had had the opportunity of saying more than "How do you do?" or "Good-bye" to her. He so obviously didn't count in the scheme of things as they appealed to Mrs. Larpent.

According to the Social Register, however, Mrs. Larpent lived in East Fifty-sixth Street and was the widow of Captain Claude Elcho Larpent of the 21st Lancers, a nephew of Field Marshal Viscount Risborough. That was all. If this precious volume, which is the vade-mecum of so many people who murmur the word society with a hiss that can be heard from one end of the town to the other, had attempted to do justice to the beautiful Ida, at least one-half of the volume would have been devoted to the story of her antecedents and career. Born at Paterson, New Jersey, the only daughter of a pushing and energetic little chemist named McKenna, who had married in a moment of the wildest kind of romance a little, slight, white-faced Russian girl who had left her country among a batch of unsavory emigrants and found employment in a button factory, Ida,—who can tell why?—was marked out from her tiniest years for the oldest profession in the world. One would have thought, to look at her parents,—the father a pugnacious, industrious, thrifty, red-headed Scotch-American, the mother a wistful, grateful, self-effacing little woman who, if there were any justice in this world, would several times have received the distinguished service order for her many acts of unnoticed heroism,—she would have been a bright, brave, practical and perhaps even pretty little girl. Instead of which, to everyone's astonishment and to the utter confusion of the chemist and his wife, Ida resembled nothing so much as a child of the aristocracy. She was thoroughbred from head to foot, perfectly made, with a small oval face and large wide-apart eyes, tiny wrists and ankles and black hair as fine as silk. The paradox of her having been born in the small common-place quarters above a second-rate store, amidst all the untidiness of a place in which the mother did her own housework, was not lost on the parents. They were proud of this fairy-like baby, but they were also frightened of her. They realized that she was in the nature of a freak. It seemed to them that she had come by accident; that, as a matter of fact, they had no right to her. They almost persuaded themselves into the belief, as the child grew up, that she was a changeling; that an unseen hand must have stolen their own sturdy, freckled and rampagious infant, and for some unaccountable reason slipped this exquisite little thing into her place.

There was, as time passed, an element of tragedy about this miracle or accident or mistake,—these words and others were used,—especially when Ida began to find her tongue and her feet. More and more she seemed to be an indignant hot-house plant in a little cabbage-patch. Her parents, poor souls, grew more and more awkward and unhappy in her presence. They had the uncanny feeling always that she was criticising them and their mode of speech and their slummachy way of life. The affection and love which they had been only too willing to give her after the shock of her early appearance wore away, turned into reluctant deference and a constant self-conscious desire to make their apartment and themselves more tidy for her. Even at the age of ten she turned her mother into a maid, quietly insisted that her hair should be brushed every night and saw to it that she was dressed and undressed, manicured and shampooed. She demanded bath salts and scent from the store and the best of soaps and powders. "Do this! Do that!" she would say, and if they were not done she raised her voice and stamped her foot, while a sort of flame seemed to come from her eyes. No one had ever seen her cry after she had learned to walk.

The McKenna circle of friends, consisting of fellow-storekeepers and the Austro-Hungarian musician who was the leader of the little orchestra at the Paterson Theatre, watched Ida's early years with almost breathless astonishment and a kind of disbelief. They accepted her much in the same way as they would, under the pressure of warm friendship, have accepted a pet marmoset or a cursing parrot or a dog with a cat's tail. They noticed, with many comments, that she grew up altogether without filial affection; that she treated her parents as though they were paid attendants, calling her father "Sandy," as his particular friends did, and her mother "Alla," and with the most startling self-assurance making them conform to all her wishes. It was most uncanny. Michlikoff, the bird's-nest-headed musician, who had a sneaking belief in the occult and who read up all that he could find on the subject of transmigration of souls, endeavored to persuade his friends, in voluble broken English, that Ida was a princess born again. With all those who came from places other than Missouri, he succeeded.

It was a perturbed and constrained household in which this unexpected child grew up,—a household that, to the little bandy Scot's never-quite-hidden disgust, was the subject of steady gossip in the town. His first ambition naturally was to see the list of his customers swell, but not at the expense of his pride and self-respect. Those two things, frequently mentioned, were very dear to him. It seemed to him, too, that the family affairs of a man who kept a drug-store should be out of the region of gossip. He and his still pretty wife were glad, infinitely glad, when the time arrived for their daughter to attend the public school. It was only while she was out of the apartment that the mother could go about her work in comfort and without being constantly called away from her domestic duties. The freckled, red-headed little chemist only felt happy when he saw this girl sail out with her books and turn down the street towards the school-house, with her chin held high and her astonishing eyes filled with a sort of scorn for all the passers-by. At school she was not a success. She didn't mix well. The other children held aloof from her. She was obviously out of place amongst them and they resented her presence in the class-rooms. The boys admired her from a distance, fell into self-conscious silence when she approached and whispered about her when she passed by. The girls were antagonistic. They were jealous of her pretty clothes, awed by her lofty silences and surprised at her proficiency with her books. On her seventeenth birthday Ida went to New York, saying that she would be back to supper. But with supper came a cold-blooded note which ran like this: