"I don't suppose you do, my dear, but you shall—believe me." And then, in the plainest English she gave Ethel the story of her relations with Kenyon, without in any way sparing herself. And when she came to the parting scene in Kenyon's rooms she painted a picture that was so strong and vivid—so appalling in its proof of foolishness, that she made even Ethel forget her complacency and sit with large, frightened eyes.
Then she got up and began to walk about. "I'm not a fool," she said, "and this thing is going to teach me something. Also, I'm not a coward and I've told you all this for a reason. You think that you're a very wise little person, kiddie, but in reality you're no better than I am, and just as sentimental and every bit as unwatched and as resentful of guidance. Why are you here instead of being at school? You think no one knows that. Well, I do. You're playing ducks and drakes with mother and father and your education in order to have what we call a 'good time.' You have shammed sickness so that you could have an adventure with the boy next door."
"How d'you know that?" cried Ethel.
"Easily enough, my dear. I was told by the girl who used to bring your thermos up to this room and who had caught you with the boy. Two days ago she left to be married, but before she went she blurted out the whole story. It wasn't for me to interfere then. I didn't much care, to tell the truth,—in fact, I thought it was rather a good joke. I rather admired you for the cunning way in which you had arranged everything. I thought you were a good sport. I don't know how far it has gone, but I hope to Heaven that you've not been quite so insane as I was. I'm not going to tell mother or do the elder sister stunt, or anything of that sort. I'm just going to ask you to chuck it all and go back to school and play the game for a change, and to try to bear in mind that you owe father and mother something,—a thing we all seem to have forgotten,—and when you do go back, just remember—and always remember—what I've told you about myself. We're very much alone, you and I,—like two girls who are staying in a house with somebody else's father and mother,—and so let's help each other and get a little honesty and self-respect and see things straight. What d'you say, dear little sister?"
Ethel got up, and with a complete breakdown of all the artificiality so carefully instilled into her by her fashionable school, slipped into her sister's arms and burst out crying.
XVII
It was not until the next afternoon that Peter was allowed to get up. His superb constitution had stood, rock-like, against the chill which the doctor's medicine had helped to throw off. He had done full justice to a broiled chicken which Nellie Pope had cooked for him; but when, having put on his clothes, he stood in front of the looking-glass, he felt as though he had been under a steam-roller and flattened out.
"Good Lord!" he said, when he saw his pale, unshaven face. "Good Lord!" But he was very happy. He had read and re-read Ranken Townsend's generous apology. Betty was waiting for him—thank God for that.
And then he began to look round. Was this a nursing home? The dressing-table, with its tins of powder and a large dilapidated puff, its red stuff for lips, its shabby little brushes and a comb with several of its teeth gone, looked as though it belonged to a woman,—poor and struggling. The door of the closet, which gaped a little, showed dresses hanging and a pair of very high-heeled boots with white uppers. He opened a drawer in the dressing-table. It was full of soiled white gloves, several veils neatly rolled up, and a collection of small handkerchiefs. A strong, pungent scent rose up from them.