"I'd simply love to," said Betty. "But I must just run in and tell father I'm going to have dinner with you. I won't be a minute."
"All right, my dear. Time's cheap. Don't hurry on my account."
Belle went over to the dressing-table. She had only recently powdered her nose from the elaborate apparatus from which she rarely permitted herself to be separated, but a little more would do no harm. She burst into involuntary song as she performed a trick which she might so well have afforded to leave to those ladies of doubtful summers to whose Anno Domini complexions the thick disguise of powder may perhaps be useful. Tucked into her blouse there was a letter from Kenyon which had come a week ago. It was only a matter of days before she was to see him again.
And Betty ran out of her bedroom and along a passage which led to the studio. A stretch of cloudless sky could be seen through a recess window, and the far-below flat roofs of the old buildings on the corner of Gramercy Park. She knocked and waited. There was a grunt, and she went in.
Into the large lofty room—a cross between a barn and an attic—a hard north light was falling with cruel accuracy. It showed up stacks of unframed canvasses with their faces turned to the dark wall and the imperfections of several massive pieces of oak, the worn appearance of the stained floor, the age of the Persian rugs and of a florid woman who sat with studied grace and an anxious expression of pleasant thought on the dais, with one indecently beringed hand resting with strained nonchalance on the arm of her chair and the other about an ineffably bored Pekingese.
Ranken Townsend, the successful portrait painter, had backed away from his almost life-size canvas, and with his fine untidy head on one side and irritation in his red-grey beard was glaring at it with savage antagonism.
The lady on the dais had crow's-feet round her made-up eyes, and a chin that could not be made anything but double however high she held it. Also—as the north light seemed to take a hideous delight in proving—her figure was irreclaimably dumpy and plump. The lady on the canvas, however,—such is Art that runs an expensive studio, good wines and well-preserved Coronas,—was slight and lovely and patrician, and should she stand up, at least six feet tall. No wonder Townsend grunted and glared at the commercial fraud in front of him, at which, in his good, idealistic, hungry Paris days he would have slung wet brushes and the honest curses of the Place Pigalle. He was selling his gift once more for five thousand dollars. His wife dressed at Bendels.
Anger and irritation went out of the painter's eyes when he saw the sweet face that peeked in. "Hello, sweetheart!" he sang out. "Come in and bring a touch of sun. Mrs. Vandervelde, I'd like you to meet my little girl."
Without turning her head or breaking a pose that she considered to have become, after many serious attempts, extremely effective, the much-paragraphed lady, whose lizard-covered mansion in Fifth Avenue was always one of the objects touched upon by the megaphone men in rubber-neck wagons, murmured a few words. "How d'you do, child? How well you look."
Betty smothered a laugh. Mrs. Vandervelde had acquired the habit of looking through her ears. "I'm going home with Belle, father, and I shall stay to dinner. But I'll be back before ten."