Peter, for a reason which he was unable to explain to himself, felt a wave of sympathy go over him. He not only accepted the girl on her face value, but somehow or other believed her to be younger and more romantic than she looked. She seemed to him to have stepped out of the pages of some Arabian book—to be a little exotic whom Graham must have discovered far away from her native hot-house. He liked the way in which her thick hair was arranged round her face, and he would have sworn that she was without guile.
Not so Kenyon. "Great Scott!" he said to himself. "Here's a little devil for you. Our young friend Graham has had his leg pulled. I've seen mosquitoes before, but the poison of this one will take all the ingenuity of an expert to counteract."
He sat down and watched the girl, who threw one quick antagonistic glance at him and attached herself to Peter, to whom she talked in monosyllables. She might only very recently have left a Convent School, except that her dog-like worship of Graham seemed to prove that she owed him a deep debt of gratitude for some great service.
Graham watched her, too, and his expression showed Kenyon that even if he didn't love her he believed in her and was proud of himself.
XI
By a sort of mutual consent the three men left the apartment in Twenty-eighth Street early. They did not desire to finish the evening at any cabaret or club. They called the first passing taxicab and drove home. By mutual consent also they never once referred to Ita Strabosck, but discussed everything else under the sun. Kenyon had never been so useful. With consummate tact—but all the while with the picture in his mind of the cunning little actress whom they had just left—he led the conversation from dancing to baseball and from country clubs to women's clothes. Whenever the cab passed a strong light Graham made a quick, examining glance at Peter's face. He knew old Peter as well as Peter knew his piano, and he was quite well aware of the fact that although his brother laughed a good deal at Kenyon's quaint turn of phrase he was upset at what he had seen.
It was just after eleven o'clock when they went into the smoking-room of the house in Fifty-second Street. Mrs. Guthrie and Ethel had gone to bed. Belle had not returned from a theatre party. The Doctor was at work in his laboratory. He heard the boys come in. The sound of their voices made him raise his head eagerly. He even half-rose from his chair in a desire to join them and hear them talk, and laugh with them and get from them some of that sense of youth which they exuded so pleasantly, but his terrible shyness got the better of him once more and he returned to his experiments. How ironical it was that with complete unconsciousness he was leaving it to such a man as Nicholas Kenyon to play father to his second son, who had never in his short life needed a real father so badly.
For some little time—smoking a good cigar with complete appreciation—Kenyon continued to give forth his impressions of New York so far as he knew it. He was especially amusing in his description of the effect upon him of the first sight of the Great White Way. Then, all of a sudden, there came one of those strange pauses. It was Peter who broke the silence. "Graham, old boy," he said, "tell us about it. What does it all mean? Good Lord! you're only twenty-four. Are you married?"
Before Graham could reply, Kenyon sent out a scoffing laugh. "Married! Is he married?" he cried. "My good old grandfather's ghost, Peter! But how indescribably green you are. Hang me if you're not like a sort of Peter Pan! You've passed through Harvard and Oxford with a skin over your eyes. It's all very beautiful, very commendable—and what Belle would call 'very dear' of you—and all that sort of thing, but somehow you make me feel that I've got to go through life with you in the capacity of the sort of guide one hires in Paris—the human Baedeker."