Pagliacci was to be followed as usual by "Cavalleria." It was the swan song of the opera season.

In a part that he acted as well as he sang, Caruso had been permitted finally to retire, wringing wet, to his dressing room. With all the dignity of a man of genuine feeling and sensitiveness he had taken call after call on the fall of the curtain and stood bent almost double before the increasing breakers of applause. Once more he had done his best in a role which demanded everything that he had of voice and passion, comedy and tragedy. Once more, although his soul was with his comrades in battle, he had played the fool and broken his heart for the benefit of his good friends in front.

In her box on the first tier Mrs. Cooper Jekyll, in a dress imaginatively designed to display a considerable quantity of her figure, was surrounded by a party which attracted many glasses. Alice Palgrave was there, pretty and scrupulously neat, even perhaps a little prim, her pearls as big as marbles. Mrs. Alan Hosack made a most effective picture with her black hair and white skin in a geranium-colored frock—a Van Beers study to the life. Mrs. Noel d'Oyly lent an air of opulence to the box, being one of those lovely but all too ample women who, while compelling admiration, dispel intimacy. Joan, a young daffodil, sat bolt upright among them, with diamonds glistening in her hair like dew. Of the four men, Gilbert Palgrave, standing where he could be seen, might have been an illustration by Du Maurier of one of Ouida's impossible guardsmen. He made the other three, all of the extraordinary ordinary type, appear fifty per cent, more manly than they really were—the young old Hosack with his groomlike face and immaculate clothes, the burly Howard Cannon, who retained a walrus mustache in the face of persistent chaff, and Noel d'Oyly, who when seen with his Junoesque wife made the gravest naturalists laugh at the thought of the love manners of the male and female spider.

Turning her chair round, Alice touched Joan's arm. "Will you do something for me?" she asked.

Joan looked at her with a smile of disturbing frankness. "It all depends whether it will upset any of my plans," she said.

"I wouldn't have asked you if I had thought that."

Joan laughed. "You've been studying my character, Alice."

"I did that at school, my dear." Mrs. Palgrave spoke lightly, but it was plain to see that there was something on her mind. "Don't go out to supper with Howard Cannon. Come back with me. I want to talk to you. Will you?"

Joan had recently danced in Cannon's huge studio-apartment and been oppressed by its Gulliveresque atmosphere, and she had just come from the Fifth Avenue house of the Hosack family, where a characteristically dignified dinner had got on her nerves. Gilbert, she knew, was engaged to play roulette at the club, and none of her other new men friends was available for dancing. She hadn't seen anything of Martin for several days. She could easily oblige Alice under the circumstances.

So she said: "Yes, of course I will—just to prove how very little you really know about me."