With Groome—who, as my readers know, was, like Watts-Dunton and the late Charles Godfrey Leland, an accomplished student of Gipsy Life, Gipsy Language, and Gipsy Lore—I was myself on terms of friendship, and indeed had been of some small service to him in regard to the publication of Kriegspiel, knowing which, Swinburne was anxious to hear whether I thought the review could be used to assist the sale of the book, and so elected to go upstairs to his room to get it.
He returned with a face like that of a schoolboy intent upon mischief, and with a rolled up journal in his hand. After I had read the review of Kriegspiel, and proposed sending it on to the publisher, Watts-Dunton inquired, pointing to the roll which Swinburne was still holding:
“What have you got there?”
“To-day’s Graphic,” was the reply. “I noticed it sticking out of the pocket of your greatcoat, hanging in the hall, and peeping inside saw that there was an illustrated supplement, Poets of the Day, so I wouldn’t even look to see whether you and I are included, but brought it here that we might all go through it together. What heart-burning and hair-tearing there will be in the poetical dovecotes, in regard to who is in, and who is out! Why didn’t you tell me of it before?”
“Because I didn’t know anything about it,” was the reply. “It was from Kernahan’s coat, not mine, that you took it. We all pick each other’s brains in Grub Street, but picking pockets is quite another matter.”
Swinburne apologised, but held on to the Graphic tenaciously. Then he opened it, smoothed out the page, and ran through the pictured poets, cataloguing them, complimenting them or chaffing them upon their appearance or their poetry, even improvising suitable epitaphs for their obsequies in Westminster Abbey, or composing, on the spur of the moment, Nonsense Verses and Limericks that hit off with delicious humour or mordant irony the personal or poetical peculiarities of the different “bards,” as he called them.
Now that he, and so many of these “bards” are, alas, gone, I hesitate to repeat in cold blood, and so long after, what was said on the spur of the moment, and among friends. But, tantalising as it may be to the reader, especially if that reader be a poet, and so possibly an interested party, to be told merely of witty sayings of which no specimen is forthcoming, I must hold my hand, as I have been compelled to hold it in other pages of these Recollections. We have it on the authority of Mr. Clement Shorter that one must be indiscreet to be entertaining, and I agree with him so far as to admit that, in Recollections, the best must always be that which remains unwritten.
After Swinburne had exhausted the Graphic, I produced, from the pocket of the pirated greatcoat, yet another journal, to which a certain critic had contributed a somewhat feeble article upon the work and poetry of Swinburne himself. I read it aloud, to the accompaniment of ironic laughter on the part of Watts-Dunton, Miss Watts and myself, but Swinburne, though he had hugely enjoyed it, and had interpolated sly comments of exaggerated gratitude, said, when I had made an end and with a wave of dismissal:
“It is meant kindly, and when the intention is so obviously kind one must not be too ungenerously critical.”
Thereafter we talked of Ireland, Swinburne having only recently learned or recently realised that I hailed from that land of poets turned politicians. I suspect that the fact of my nationality was responsible for much of his kindness to me, for, laugh at us as many Englishmen may and do, in their hearts they have a sneaking liking for men and women of Irish birth. I had said that I should be leaving soon after lunch, and after he had bidden me good-bye, and had retired for his afternoon sleep, he returned, not once, but two or three times, and with an impulsiveness which was almost Irish, to speak again and yet again of Ireland and especially of Irish poetry.