It so happened that I had in my pocket that morning a letter from Watts-Dunton deprecating the slating in the Athenæum of a book of minor poetry by a friend of mine, and I remembered a sentence in the letter. “By minor poet, meaning apparently a new and unknown poet,” which prefaced a generous if discriminating and critical appreciation of my friend’s poems.
To intrude into a conversation between strangers was, of course, as much out of the question as to make known to others, without first obtaining the writer’s permission, the contents of a letter written to myself. Otherwise I could easily have convinced the aggrieved young poet, not only that it was not Theodore Watts who had cut up his book, but that so far from being a literary Herod and a slayer of the poetic innocent, he was, as a matter of fact, Herod’s literary antithesis. As the writer of the letter and those mentioned in it are no longer with us, no harm can be done by printing part of it here:
“Like the rest of us, our Philip was mortal, and, like all of us, he could be harsh. I got Maccoll to let him review the minor bards. He was so terribly severe upon most of them that I was miserable; and I fear that I had to ask Maccoll to be chary in sending them to him, or at least I got M. to remonstrate with him for his extreme and unaccountable harshness. My sympathies, as you know, are all with the younger men. I love to see a young poet, or for the matter of that any young writer, get recognition.
“Robinson is the only fogey-brother I boom. Please tell him when you see him that if I do not write to him much, it is not because of any cooling of love. Thirty years ago he knew me for the worst correspondent in the world. The first letter he ever wrote to me (in sending me his novel No Church) I answered at the end of six months. I wish I could help it, but I can’t. My friends have to take me with all my infirmities on my head.”
“Our Philip,” I may say, was Philip Bourke Marston, the blind poet; “Robinson” was F. W. Robinson, the novelist—both friends of Watts-Dunton and mine—“Maccoll” was the then editor of the Athenæum.
Had I known Watts-Dunton better (it was in the early days of our long friendship that this Coffee House incident happened), I should studiously have refrained from mentioning the matter to him. But thinking it would do no more than amuse him, I was so unwise as to tell the story over the luncheon table. Swinburne was vastly amused, and rallied his friend gleefully for being what he described as “the ogre of suckling bardlings,” but Watts-Dunton was visibly distressed, and took it so much to heart that I had cause to regret my indiscretion. He brooded over it and rumbled menacingly over it, recurring to the matter again and again, until lunch was over, vowing that it mattered nothing to him what this or that “writing fellow” thought of him as a fellow writer, but that to be credited with cruelty, and with willingness to give pain, to the younger generation, with whom he was so entirely in sympathy, was monstrous, was unthinkable, and was cause for cursing the day he had ever consented to review for the Athenæum.
Here are some extracts from another letter in which he reverts to the matter, and also incidentally gives an interesting peep of Swinburne and himself on holiday:
“The crowning mistake of my life, a life that has been full of mistakes, I fear, was in drifting into the position of literary reviewer to a journal, and not drifting out for a quarter of a century. I not only squandered my efforts, but made unconsciously a thousand enemies in the literary world whom I can never hope now to appease until death comes to my aid. Swinburne sends you his kind regards. He and I are here staying at one of the lovely places in the Isle of Wight, belonging to his aunt, Lady Mary Gordon. It is a fairy place. Her late husband’s father took one of the most romantic spots of the Undercliff and turned the shelves of debris into the loveliest Italian garden reaching down to the sea. It is so shut in from the land that it can be seen only from the sea. It puts, as I always say, Edgar Poe’s Domain of Arnheim into the shade. I know of nothing in the world so lovely. I have been writing a few sonnets, but Swinburne does nothing but bathe.”
This reference to Swinburne idling reminds me of another letter I received from Watts-Dunton, in which he pictures yet another great poet, Tennyson, hard at work and at eighty-two. The letter has no bearing on the matter immediately under discussion, but by way of contrast I venture to include it here:
Aldworth, Haslemere, Surrey,
26th Sept., ’91.My dear Kernahan,
My best thanks for your most kind letter which has been forwarded to me here where I am staying with Tennyson. When I get home I will write to suggest a day for us to meet at Putney. Tennyson, with whom I took a long walk of three miles this morning, is in marvellous health, every faculty (at 82) is as bright as it was when his years were 40. He is busy writing poetry as fine as anything he has ever written. He read out to me last night three poems which of themselves would suffice to make a poet’s fame. Really he is a miracle. This is a lovely place—I don’t know how many miles above the level of the sea—bracing to a wonderful degree.
Ever yours,
Theodore Watts.