She put away the money Maggy had wanted her to take until she could give it back to her, and directly she had had her breakfast, started for the theatrical agents' offices. They opened at ten. She had small hope of obtaining anything at any of them. The principals did not know her by sight. When one of them made an occasional dart into the waiting room and gave a quick glance round she was only "one of a crowd."
At such times there would be a little stir and scrimmage amongst the men and women in which she would not share. Men would elbow women, women elbow men in their efforts to catch the agent's eye or better still his sleeve. And he would shake them off in a precipitate passage from his own room to that of his partner's at the other end of the waiting room. Alexandra knew his short, little, staccato, stock sentences by heart.
"Nothing for you to-day, dear." (Shake her off.)
"Sorry, my dear, I can't stop." (Shake her off.)
"No, my dear, I—oh, it's you. Stop behind. I'll see you later." (Pressure of the hand.)
"Nothing in your line to-day, old fellow." (Shake him off.)
Perhaps a fleeting look at Alexandra, so that she was in doubt as to whether she had been noticed or not.
Then the crowd would wait on, lessened by the few who lost heart and went on to other agencies. The assembly varied little in any of these refuges of the out-of-works. There you would find every specimen of stageland: the sprightly young man with an eye stimulated hopefully by sherry from the adjacent Bodega, dressed in the last fashionable suit left from his wardrobe, his waistcoat pocket bulging with pawntickets; the old actor with a blue chin, a red nose and a kindly smile, unctuously imparting the latest "wheeze" to a brother comedy-merchant; the hard-eyed woman of forty, rouged, smelling of spirits and patchouli, consumed with inward wrath because of the refusal of managers to entertain her applications for youthful parts; the fresh-looking girl with an air of country lanes and a pigtail, who nevertheless was bred and born at Stratford-at-Bow; the seedy advance-agent, vainly trying to adopt a managerial air; the plump and cheery chorister with no ambitions beyond thirty shillings a week and a long pantomime run; her male compeer nourishing a secret belief that he could "wipe the floor" with every tenor on the boards.
Eleven, twelve, one o'clock, and still the patient crowd would linger on in the agents' offices, chattering intermittently, giggling occasionally, desperately anxious all the same, eyes ever glancing toward the two shut doors.
At one would come the unwelcome news, spoken by the young man who kept the accounts and made out the contracts: