Far at one side, making a brave effort with the "near" beer and "almost there" concoctions of a prohibition buried country, was the "old-fashioned bar" with its old-fashioned bartender behind it, roaring out his orders and serving drinks with one hand while he waved and pulled the trigger of a blank-cartridged revolver with the other. Farther on was the roulette wheel, and Fairchild strolled to it, watching the others to catch the drift of the game before he essayed it, playing with pennies where, in the old days, men had gambled away fortunes; surrounded by a crowd that laughed and chattered and forgot its bets, around a place where once a "sleeper" might have meant a fortune. The spirit of the old times was abroad. The noise and clatter of a dance caller bellowed forth as he shouted for everybody to grab their "podners one an' all, do-se-do, promenade th' hall!" and Fairchild, as he watched, saw that his lack of dancing ability would not be a serious handicap. There were many others who did not know the old numbers. And those who did had worn their hobnailed boots, sufficient to take the spring out of any one's feet. The women were doing most of the leading, the men clattered along somewhere in the rear, laughing and shouting and inadvertently kicking one another on the shins. The old times had come back, boisterously, happily,—and every one was living in those days when the hills gushed wealth, and when poverty to-day might mean riches tomorrow.
Again and again Fairchild's eyes searched the crowds, the multicolored, overdressed costumes of the women, the old-fashioned affairs with which many of the men had arrayed themselves, ranging all the way from high leather boots to frock suits and stovepipe beaver hats. From one face to another his gaze went; then he turned abstractedly to the long line of tables, with their devotees of keno, and bought a paddle.
From far away the drone of the caller sounded in a voice familiar, and Fairchild looked up to see the narrow-eyed, scarred face of Squint Rodaine, who was officiating at the wheel. He lost interest in the game; lackadaisically he placed the buttons on their squares as the numbers were shouted, finally to brush them all aside and desert the game. His hatred of the Rodaines had grown to a point where he could enjoy nothing with which they were connected, where he despised everything with which they had the remotest affiliation,—excepting, of course, one person. And as he rose, Fairchild saw that she was just entering the dance hall.
Quaint in an old-fashioned costume which represented more the Civil War days than it did those of the boom times of silver mining, she seemed prettier than ever to Robert Fairchild, more girlish, more entrancing. The big eyes appeared bigger now, peeping from the confines of a poke bonnet; the little hands seemed smaller with their half-length gloves and shielded by the enormous peacock feather fan they carried. Only a moment Fairchild hesitated. Maurice Rodaine, attired in a mauve frock suit and the inevitable accompanying beaver, had stopped to talk to some one at the door. She stood alone, looking about the hall, laughing and nodding,—and then she looked at him! Fairchild did not wait.
From the platform at the end of the big room the fiddles had begun to squeak, and the caller was shouting his announcements. Couples began to line up on the floor. The caller's voice grew louder:
"Two more couples—two more couples! Grab yo' podners!"
Fairchild was elbowing his way swiftly forward, apologizing as he went. A couple took its place beside the others. Once more the plea of the caller sounded:
"One more couple—then the dance starts. One more couple, lady an' a gent! One more—"
"Please!" Robert Fairchild had reached her and was holding forth his hand. She looked up in half surprise, then demurred.
"But I don't know these old dances."