[407]. Androgynous deities represent attempts to combine in a single person the two sides of the productive power of nature. Such attempts are relatively late, implying a considerable degree of reflection and organization; how early they began we have not the data to determine. They are not found among savage or half-civilized peoples.
[408]. In Semitic lands no artistic representations of a bisexual deity are now known, but evidence is adduced to show that this conception existed in early times. It has been sought in two old Babylonian inscriptions published by the British Museum.[740] The first of these (written in Sumerian) reads: "For [or, in honor of] the (divine) king of countries, the (divine) Nana [Ishtar], the lady Nana, Lugaltarsi, king of Kish, has constructed," etc. Barton takes the two titles "the divine Ishtar" (='king of countries,' masculine) and "the lady Ishtar" to refer to the same deity, in whose person would thus be united male and female beings. If, however, the king of countries and Ishtar be taken to be two different deities (as is possible), there is no bisexuality. The second inscription, which is bilingual, has the expressions "the mother-father Enlil," "the mother-father Ninlil" (Sumerian), rendered in Semitic "the father-mother Enlil," "the father-mother Ninlil." These expressions probably signify not that the two deities are bisexual, but that each of them fulfills the guarding and nourishing functions of a father and a mother.
The expression in a hymn to Ishtar that "she has a beard like the god Ashur" may be satisfactorily explained as an astrological statement, the meaning of which is that the planet Dilbat (Ishtar, Venus) at certain times equals the sun (represented by Ashur) in brilliancy, her rays being likened to a beard.[741] A similar astrological interpretation is offered by Jastrow of a passage (to which attention was called by François Lenormant) in which a female Dilbat and a male Dilbat are spoken of. Other astrological texts indicate that the terms 'male' and 'female' are employed as expressions of greater or less brilliancy.[742] Lajard's view, that all Babylonian and Assyrian deities were androgynous, hardly needs discussion now.[743]
[409]. Of a more definite character are expressions in two Phœnician inscriptions. In an inscription of Eshmunazzar II (probably early in the fourth century B.C.) the great goddess of Sidon is called "Ashtart Shem Baal."[744] The word shem means 'name,' and, if it be so interpreted as to give the goddess the name of a male divinity, she may be understood to have partly male form. But such change of name is hardly probable, and this is not necessarily the natural force of the phrase. In Hebrew to "call one's name on a person or thing" is to assert ownership in it or close connection with it.[745] In the West Semitic area some personal names signify simply 'name of such and such a deity,' as, for example, Shemuel (Samuel), 'name of El,' Shemzebul, 'name of (the god) Zebul,' denoting devotion or subordination to the deity in question. "Shem Baal" as a title of Ashtart may then indicate her close relation with the god, or, perhaps, if the expression be understood more broadly, her equality with him in power (the name of a deity involves his attributes)—he was the great god, but she, the expression would say, is not less mighty than he; or, less probably, baal may be taken not as proper name but as title, the sense then being that the goddess is the lord of the city.[746] Another proposal is to read "Ashtart shamē Baal," 'Ashtart of the heaven [sky] of Baal.'[747] There is a Phœnician Baal-shamem, 'lord of the sky,' but nowhere else is the sky described as the abode of a baal, and the transference of the local city-goddess to that region would be strange; nor in the expression 'Baal-shamem' is Baal a proper name—it is merely a title.
[410]. Another phrase, occurring in many Carthaginian inscriptions, makes mention of "Tanit face of Baal,"[748] an expression that may point to a female body with male face. Its indefiniteness—it does not state the nature of the face (it may point to a beard)—makes it difficult to draw from it any conclusions as to the character of the deity named.[749] But the probability is that it is identical in sense with the one mentioned above. Tanit was the great goddess of Carthage; she is called "Adon," 'lord,' and her equality with Baal is indicated by the statement that she had his face, the word 'face' being here equivalent to 'personality' and 'power.'[750]
[411]. At a later period (early in the fifth century of our era) two authors, Servius and Macrobius, make definite statements concerning a bisexual cult, apparently Semitic.[751] Both statements occur in connection with Vergil's use of the masculine deus (ducente deo) as a title of Venus, in explanation of which the cases of supposed bisexualism are cited.[752] What is said is that there was in Cyprus a deity whose image was bearded—a god of virile nature, but dressed as a woman, and regarded as being both male and female. Further, Philochorus is quoted to the effect that men sacrificed to her in women's dress and women in men's dress. This last remark does not necessarily point to an androgynous deity, for exchange of dress between men and women sometimes occurs where there is no question of the cult of such a deity.[753] But the Cyprian deity is said also to have been called Ἀφρόδιτον (Aphroditos? or Aphroditon?)[754]—apparently a male Aphrodite.
[412]. Leaving aside a few other notices that add nothing to our knowledge of the point under consideration, we should naturally conclude, if we give any credit to the statements of Servius and Macrobius, that there was a report in their time of a bisexual deity in Cyprus. As regards Vergil's "deus," that may be merely a poetical expression of the eminence and potency of the goddess. But the assertions of her bisexual character are distinct, even if the "beard" be discarded. This latter may have come from a misunderstanding of some appearance on the face of the statue; or, as has been suggested, there may have been a false beard attached to it permanently or occasionally,[755] and from this may have sprung the belief in the twofold nature of the deity. We are not told, however, that such a nature was ascribed to Aphrodite, or that a beard was attached to her statue; and, if this was done, it is difficult to suppose that a popular belief in the bisexuality of a deity could have arisen from such a procedure. Some better ground for the statements of Servius and Macrobius there seems to have been, though we do not know their authorities. In any case it may be concluded that the cult in question, if it existed, was late, popular, and without marked influence on the Semitic religious development. No figures or other traces of a bisexual deity have been discovered in Cyprus or elsewhere (unless the Carthaginian Tanit be an exception), and all that is otherwise known of the character and cult of the Babylonian Ishtar, the Phœnician Ashtart, and the Carthaginian Tanit (=Ashtart) is against the supposition of bisexuality. Ishtar, originally a deity of fertility, became, through social growth, a patron of war and statecraft; but there is no indication that an attempt was ever made to combine these two characters in one figure.
[413]. The Phrygian figure Agdistis, represented in the myths as androgynous[756] (the myths being based on cults), is connected with the worship of the Great Mother, Kybele (the embodiment of the female productive power of nature), with whom is associated Attis (the embodiment of the male power).[757] The myths identify Agdistis on the one hand with Kybele, on the other hand with Attis—he represents in his own person the combination of the two generative powers. But it is doubtful whether this was his significance in the actual worship, in which he hardly appears; he was probably a divine figure of the same character as Kybele and Attis, worked up by myth-makers and woven into the larger myth. His self-castration reflects the practice of the priests and other worshipers of Kybele.[758] Thus culturally he is of little or no importance.
[414]. There is no evidence that this Phrygian figure was derived from Semitic sources. A certain similarity between Phrygian and Syrian cults of gods and goddesses of fertility is obvious, and the social relations between Asia Minor, Syria, and Cyprus make borrowing in either direction conceivable. But cults of such deities might grow up independently in different regions,[759] and the supposition that the Phrygian worship was native to Asia Minor is favored by the great elaboration of its ceremonies and by their barbarous character. This character suggests that the worship may have originated with savage peoples who preceded the Aryans in the country.[760]
[415]. The most definite androgynous figure is the Greek Hermaphroditos. It was only in Greece that such a compound name arose, and that the composite form became established in art. It is not certain when the Greek form was fixed. If the statement that Aristophanes used the term "Aphroditos"[761] (or "Aphroditon") is to be relied on, it must be concluded that the conception existed in Greece prior to the fifth century, probably in that case as a popular usage that was unorganized and unimportant, since it is not referred to in the existing literature. But of this Aristophanes we know nothing, and the vague statements of Servius and Macrobius may be neglected as being without significance for the figure in question.