[638]. In some cases the figure is that of a mere trickster, a mischievous being, the hero of countless stories, who acts from caprice or malice, though his actions may result in advantage to men. Such are many of the animal forms of the North American Indians: the coyote of the Thompson River Indians,[1056] the raven of North British Columbia,[1057] the mink and the blue jay of the North Pacific Coast.[1058] In other cases, as also to some extent in the Thompson River region, he appears in a more dignified form as a benevolent organizer.
This growth of the trickster into the real culture-hero may be referred to a progress in thought and refinement.[1059] Among the Northern Maidu of California there is a sharp distinction between the two characters: the coyote is tricky and mischievous in the bad sense, with no desire to do anything profitable to men; the benevolent and useful work of the world is ascribed to a personage called "the creator," who is always dignified and regardful of the interests of man.[1060] This sort of distinction, intended to account for the presence of both good and evil elements of life, is found in inchoate form among other low peoples (as, for example, the Masai and the Australians[1061]), but reaches its full proportions only in the great civilized religions.
[639]. In this class of vaguely conceived creators or transformers we may place the Central Australian Arunta ancestors, who embodied the idea of the identity of beasts and human beings, and are the originators of all the arts and institutions of the tribes; they established the totemic groups and the ceremonies, and, in the developed myth, perpetuate their existence by entering the bodies of women and being born as human beings.[1062] The relative antiquity of this conception of the origin of things is uncertain; in one point of view it is crude, but in another it is an elaborate and well-considered attempt to explain the world. These Arunta ancestors, notwithstanding their half-bestial forms, are represented as acting in all regards like human beings, and as having planned a complete system of tribal organization, but no religious worship is offered them—they figure only in sociogonic myths and in the determination of the totemic status of newborn children. Among the Navahos we find a combination of beast and man in the work of creation.[1063] In their elaborate cosmogonic myth the first actors are Coyote, First Man, and First Woman, and there is discord between Coyote and his human coworkers. Here again the object seems to be to account for the diverse elements of the tribal life.
[640]. Many such personages, originators or introducers of the arts of life and the distribution of territory, are described in the folk-tales and myths of the North American tribes. The conception, it may be concluded, existed all over the world, though for many communities the details have not yet been brought to light.[1064] A noteworthy personage of this class is the Melanesian Qat (especially prominent in the Banks Islands), a being credited with almost plenary power, the creator or arranger of seasons, the introducer of night, therefore an important cultural power, yet mischievous, the hero of numerous folk-stories; he does not appear in animal form but lives an ordinary family life. He is not worshiped—he is regarded rather as the explanation of phenomena, a genuine product of early cosmogonic science. He appears to be the nearest approach in Melanesia to a real creator (with the exception perhaps of a somewhat uncertain female being called Koevasi); but alongside of him stand a number of spirits and ancestral ghosts who play an important part in the organization of society.[1065] For the Koryaks of Northeastern Siberia the "Big Grandfather" is an arranger of all things out of preëxisting material;[1066] the Chukchee, on the other hand, regard as creator a benevolent being residing in the zenith. Vague stories of simitar arrangers are found among the East African Nandi, and the South African Zulus.[1067]
[641]. Traces of this function of organizing society appear in the mythical figures of some higher religions. Among such figures may be reckoned the Babylonian Gilgamesh, the Old Testament Cainides, the Greek Heracles, Theseus, Orpheus, and others.[1068] But these personages generally take on human form and are treated as factors in the regular social development.
[642]. The "culture-hero" thus seems to be a natural product of incipient civilization. He represents the vague feeling that the institutions of society arose out of human needs and that the origination of these institutions demanded more than human wisdom and power.[1069] He partakes of the nature of both men and gods—he is all-powerful, yet a creature of caprice and a slave of accident. To him society is supposed to owe an incalculable debt; but his mixed nature affords a wide field for bizarre myths and folk-stories, and he of necessity gives way to more symmetrical divine figures.
[643]. The god, in the true sense of the word, is the highest generalization of the constructive religious imagination. In his simplest and earliest form he appears as a venerable supernatural man, wise according to the wisdom of his place and time—such is the natural conception of the lower tribes. His position is described by the titles "the old one," "the father," "the grandfather";[1070] he is a superhuman headman or chief, caring for his people, giving them what they need, sharing their ethical ideas and enforcing their ethical rules. He is an all-sufficient local ruler or overseer, his functions touching the whole life of his people and of no other people. In the progress of myth-making (that is, in the construction of early scientific theology) such gods are not infrequently represented as men who have gone up to the sky; this is a natural way of accounting for their superterrestrial abode. Savage conceptions of the origin and history of such figures are usually vague, and their theologies fluctuating and self-contradictory; but there are two points as to which opinion is firm: the god is like men in everything except power, and his functions are universal. He represents not a monotheistic creed (which takes the whole world as the domain of God), but a narrow tribal acceptance of the sufficiency of the local divine patron.[1071]
Clan Gods
[644]. The character just described is that of the earliest known gods; it is embodied in certain figures found in various parts of the world. Such divine figures belong to the simplest form of social organization, the clan; it is in the clan that they are shaped, and they reflect the conceptions, political and ethical, of the clan. In Southeast Australia the personages called Daramulun, Baiame, Bunjil, correspond to this description: they are supernatural old men who have always existed; they are taken for granted without inquiry into their origin; they direct the affairs of the tribe in a general way in accordance with the moral ideas of the place and time.[1072] The Australians have other beings with vaguely expressed characters and functions, but our information regarding these is so meager that it is not possible to form a distinct judgment of their character. Similar figures are the Klamath Indian "Old Man"[1073] and the Zulu Unkulunkulu, an old man, the father of the people, only dimly understood by the natives who have been questioned on this point; they are uncertain whether he is dead or alive, but in any case he is revered as a great personage.[1074]
[645]. Other such deities are reported in South Africa, as the Qamata of the Xosa, Morimo of the Bakuana, and farther north Molungu.[1075] On the West Coast also, in Ashanti, Dahomi, and Yoruba, a number of deities exist which were in all probability originally local.[1076] Such appears to be the character of certain gods of the non-Aryan tribes of India, as the Kolarian Sunthals and Koles.[1077] Perhaps also the god Vetala was originally such a local deity with the savage characteristics proper to the time and place, though later he was half Brahmanized and became a fiend.[1078] Among the Todas every clan has its god, who was the creator and instructor of the people. The large number of gods now recognized by the various Toda communities are essentially the same in character and function, and the existing system has doubtless been formed by the coalition of the clans.[1079] In North America the Navahos have a number of local deities, the yei (Zuñi, yeyi), some of which are called by terms that mean 'venerable.'[1080] The Koryak guardians of occupations and houses may be of the nature of such objects of worship in the clans,[1081] and so also the Patagonian family-gods. Cf. the Greek κουροτρόφος. In Japan the early system of supernatural beings has been obscured by the great religions of the later time—Shinto in its developed form, and Buddhism—but the indications are that the general term kami, a designation of all supernatural things, included local deities.[1082]