One evening, while Sandy Macpherson's (or Hamish MacNish's) troubles were being very poignantly aired next door, Albert Edward came to the conclusion that the limit had been reached. "They've been killing the pig steadily for ten days and nights now," said he; "something's got to be done about it."
"I'm with you," said I; "but what are we two against a whole brigade? If they were to catch you pushing an impious pin into one of their sacred joy-bags there'd be another Second Lieutenant missing."
"Desist and let me think," said Albert Edward, and for the next hour he lay on his bed rolling and groaning—the usual signs that his so-called brain is active.
The following morning he rode over to the squadron, returning later with the Mess gramophone and a certain record. There are records and records, but for high velocity, armour-piercing and range this one bangs Banagher. It is a gem out of that "sparkling galaxy of melody, mirth and talent" (Press Agent speaking), "I Don't Think," which scintillates nightly at the Frivolity Theatre.
"When the Humming-birds are singing" is the title thereof, and Miss Birdie de Maie renders it—renders it as she alone can, in a voice like a file chafing corrugated iron.
We started the birds humming at 4 p.m., and let it rip steadily until 11.15 p.m., only stopping to change needles.
Albert Edward's batman unleashed the hub-bub again at six next morning; my batman relieved him at eight, and so on throughout the day in two-hour shifts. At night the line guards carried on. The following morning, as our batmen threatened to report sick, we crimed a trooper for "dumb insolence" and made him expiate his sin by tending the gramophone. O'Dwyer, of one of the neighbouring ammunition columns, came over in the afternoon to complain that his mules couldn't get a wink of sleep and were muttering among themselves; but we gave him a bottle of whiskey and he went away quietly.
Monk of the other column called an hour later to ask if we wanted to draw shell-fire; but we bought him off with a snaffle bit and a bottle of hair lotion.
The whole neighbourhood grew restive. Somebody under cover of the dark took a pot at the gramophone with a revolver and winged it in the trumpet. Even the placid observation balloon which floats above our camp grew nasty and dropped binoculars and sextants on us. We built a protective breastwork of sandbags about it and carried on. As for ourselves we didn't mind the racket in the least, having taken the precaution of corking our ears with gunners' wax.
Then one evening we discovered a Highland bomber worming up a drain on his stomach towards our instrument. Cornered, he excused himself on the plea that it was a form of Swedish exercise he always took at twilight for the benefit of his digestion. An ingenious explanation, but it hardly covered the live Mills bomb he was endeavouring to conceal in a fold of his kilt. We drove him away with a barrage of peg-mallets; but secretly we were very elated, for it was clear that the strain was telling on the hardy Scot.