He had no longer any thought of escape. One morning returning with wood he met a rabble in the narrow Souika. They had a mule in their midst, and dragging head down at the mule’s tail was what had once been a man. His hands were strapped behind him so that he could in no way protect himself but bumped along the ruts and cobbles, twisting over and over. His features were gone, there was not a particle of skin left on him, and at this red abomination the women cursed, the beggars spat, the children threw stones and the dogs tore.
It was a Christian, Ortho learnt, a slave who had killed his warder, escaped and been recaptured.
The rabble went on, shouting and stoning, towards the Fez Gate, and Ortho drove his donkey home, shivering, determined that freedom was too dear at that risk. There was nothing in his life at the captain’s establishment to make him anxious to run. The ample Mahma did not regard him with favor, but that served to enhance him in the eyes of Saheb, the steward, between whom and the housekeeper there was certain rivalry and no love lost.
The two negresses were merely lazy young animals with no thoughts beyond how much work they could avoid and how much food they could steal. Of the harem beauties he saw little except when MacBride was present and then they were fully occupied with their lord. MacBride was amiability itself.
Captain MacBride at sea, at the first sign of indiscipline, tricing his men to the main-jeers and flogging them raw; Captain MacBride, yard-master of Sallee, bellowing blasphemies at a rigger on a top-mast truck, laying a caulker out with his own mallet for skimped work, was a totally different person from Ben MacBride of the house on the hill. The moment he entered its portals he, as it were, resigned his commission and put on childish things. He would issue from the tunnel and stand in the courtyard, clapping his hands and hallooing for his dears. With a flip-flap of embroidered slippers, a jingle of bangles and twitters of welcome they would be on him and he would disappear in a whirl of billowing haiks. The embraces over, he would disgorge his pockets of the masses of pink and white sweetmeats he purchased daily and maybe produce a richly worked belt for Ayesha, a necklace of scented beads for Tama, fretted gold hair ornaments for Schems-ed-dah, and chase them round and round the orange tree while the little things snatched at his flying coat-tails and squealed in mock terror.
What with overseeing the yards, where battered corsairs were constantly refitting, and supervising the Pilot’s School, where young Moors were taught the rudiments of navigation, MacBride was kept busy during the day, and his household saw little of him, but in the evenings he returned rejoicing to the bosom of his family, never abroad to stray, the soul of domesticity. He would lounge on the heaped cushions, his long pipe in his teeth, his tankard handy, Schems-ed-dah nestling against one shoulder, Tama and Ayesha taking turns with the other, and call for his jester, Saïd.
“Hey, boy, tell us about ole Jerry and the bear.”
Then Ortho would squat and tell imaginary anecdotes of Jerry, and the captain would hoot and splutter and choke until the three little girls thumped him normal again.
“Rot me, but ain’t that rich?” he would moan, tears brightening his scarlet cheeks. “Ain’t that jist like ole Jerry—the ole rip! He-he! Tell us another, Saïd—that about the barber he shaved and painted like his own pole—go on.”
Saïd would tell the story. At first he had been at pains to invent new episodes for Captain Gish, that great hero of MacBride’s boyhood, but he soon found it quite unnecessary; the old would do as well—nay, better. It was like telling fairy stories to children, always the old favorites in the old words. His audience knew exactly what was coming, but that in no way served to dull their delight when it came. As Ortho (or Saïd) approached a well-worn climax a tremor of delicious expectancy would run through Schems-ed-dah (he was talking in Arabic now), Tama and Ayesha would clasp hands, and MacBride sit up, eyes fixed on the speaker, mouth open, like a terrier ready to snap a biscuit. Then the threadbare climax. MacBride would cast himself backwards and beat the air with ecstatic legs; Schems-ed-dah clap her hands and laugh like a ripple of fairy bells; Ayesha and Tama hug each other and swear their mirth would kill them.