The moment separate letters were cut in wood for the purpose of printing, it must have been obvious to any workman interested in the matter that it would be far better to use them as models only, and that for actual use casts in soft metal would be more economical. In J. E. Hodgkin’s “Rariora” there is an excellent detailed account of the manner in which types are cast.

At first the method of casting type was probably much the same as it is now, except that it was done slowly by hand instead of quickly by machines. The matrix was set at the bottom of a short funnel in a little hand press. This press was held in the left hand, funnel upwards, then a little melted metal was run in from a ladle held in the right hand. The metal set almost immediately, and the little letter was jerked out, to be trimmed by hand. What the earliest metal used for types was cannot now be known for certain, but it was probably much the same as is now used, lead with tin and antimony, and perhaps a little copper—a composition which expands in cooling. By this hand process a good workman could produce two or three thousand letters in a day.

Now things are managed differently, and there are several automatic machines which not only save the handwork of a type caster, but do the work equally well and at a much greater speed.

For the casting of separate letters the Wick Rotary type casting machine is perhaps one of the most ingenious. It consists of a horizontal wheel with radiating channels in which the matrices of the various letters are set. The wheel revolves, and as the opening of each little channel reaches a certain point a jet of type metal is driven into it and forms a letter. A little more revolution and the letter is automatically ejected and caught on an endless chain. This machine is capable of producing 50,000 letters in an hour.

The monotype is, however, even a cleverer invention because it only casts the particular letter that is wanted. An operator translates the manuscript, by means of a key-board, into a series of holes on a strip of paper. This strip then moves on to the monotype machine, which not only casts the letter indicated by each hole, but puts it in its proper place, and jerks it forward until one line is complete. On the completion of a line the machine has a spasm, and the line is driven bodily upwards, leaving a space for the next line. This is probably the printing machine of the future, as it only requires the one operator, who translates the manuscript into dots.

The methods used in the Linotype and the Monoline are somewhat similar, and effected by the use of a key-board, but instead of casting each letter, like the monotype, they cast complete lines, which are more troublesome to correct if any mistake creeps in.

When the printing press was first used is not known, but the printing of the block books would no doubt have suggested some sort of board press long before types were used in Europe. A block book might be printed by hand only, but it would be a troublesome and laborious process, and the use of a flat padded board to put over the whole block and press upon it seems obvious enough, and the screw press evolved itself out of some such expedient. The familiar napkin press with a large wooden screw and cross handle is the type of the earliest printing presses of which we possess any record, the screw presently giving way before the more effective lever handles, and it should not be forgotten that excellent results can be obtained from these old presses acting with a direct downward pressure. They are, however, very slow in action, and that is not consistent with modern requirements.

Fig. 68.—Printing press of about 1600. From Stradanus.

The Dutch were the pioneers in improvements in these presses, and W. J. Blaew, of Amsterdam, a clever engraver, printer, and mechanician of the seventeenth century, made several improvements in many of the details, especially as regards the box, table, or forme, in which the type was set. But until Charles, third Earl Stanhope, invented the iron printing press with levers, in 1800, they were always made of wood, with screw handles.