Some of these Viking ships were very smartly decorated. Armorial bearings had not then been invented, but their sails were worked with the most beautiful emblematic and intricate embroidery, and were not infrequently made of velvet, though generally of a coarse woollen material called "vadmal." Some of the most elaborate ones were actually lined with fur. Not only the ships themselves, but also their sails, like the swords of their warriors, were given poetical sounding names: "The Cloth of the Wind", "The Beard of the Yard", and "The Tapestry of the Mast-head", are some of them. Along their gunwales, above the oars, which worked through holes in the ship's side, ran the "shield-row", composed of circular wooden shields or targets, with big shining bosses of brass or other metal in the middle. Each shield overlapped the next till it touched its boss, and so gave a double protection to the rowers. This was a very ancient custom, as shields were carried in this way by Phœnician ships as far back as 450 B.C. As a general rule, the Norsemen's shields were black and yellow, the Danes' red, and the Saxons' white with red or blue edges.
A "Dragon" Figure-head
There was a law that ships must not approach the land with their figure-heads in position with "gaping heads and yawning snouts."
It is rather curious that, with the exception of black, these colours are conspicuous in the flags of the corresponding nations of to-day. But the King of Norway presented our King Athelstan, in 931, with a ship fitted with a complete row of golden shields.
A whole chapter might be written about the figure-heads of the Viking ships, for they were much more than mere ornaments. They each had some special signification, and were certainly connected with a most extraordinary superstition which prevailed among the Scandinavian peoples. It is best explained by an example from the saga of which one Egil was the hero. Pursued by a king answering to the suggestive name of Blood-axe, he escaped from Norway and took ship to Iceland. Before he set sail over the North Sea he determined to take it out of his enemy, Blood-axe, by a species of what we may call "wireless" witchcraft. Landing on an islet, he erected what was known as a "Nithstang", a "contraption" considered very pleasing to the Norse gods. The idea probably had something in common with the "lifting up" of the brazen serpent in the Book of Numbers. His installation was a very simple one: a hazel pole with a horse's head stuck on the top. He stuck it up in a crevice of the rocks, saying that he did so "as a curse" on Blood-axe and his Queen. Then he turned it round so as to point to the mainland, and announced that he also "fired off" his curse at the "Guardian Spirits" of the country, who were to get no rest till they had hustled King Blood-axe out of it. Finally he inscribed his curse in Runic characters on the pole, and continued his voyage to Iceland as pleased with himself as a German hero who had dropped a floating mine in the track of passenger vessels.
A Dragon-head and a Representation of a "Nithstang". From a Saxon MS.
Now it appears that these same guardian spirits were extremely susceptible to this sort of "wireless", not only in Norway, but everywhere. And it also seems that—how or in what way I am unable to explain—the figure-heads of the Viking ships had much the same properties as the "Nithstangs". So it was that in Iceland, at any rate, there was a law that ships must remove their figure-heads before approaching the land, "and not approach it with gaping heads and yawning snouts", lest they might scare the guardian spirits of the land.[3] Having carried out this regulation, it was customary for the seamen to hoist a polished shield to the masthead and so flash the signal that the guardian spirits need not now be alarmed. That some connection existed between these "heads" and the "Nithstang" is further shown by a drawing in an old manuscript of that period, which depicts a human head set on a pole, which is fastened to a dragon figure-head. And again, in a wall-painting in the church of Tegelsmora in Upland, in which the famous King Olaf is seen waging a desperate battle with our old nursery friends the "Trolls", the bowsprit of his ship is adorned with the skull of an ox.
But we must leave the ships and come to their crews. To begin with, they were all "soldiers and sailors too"! They were equally at home on the battle-field ashore and in handling their cherished "long-ships" afloat. The Scandinavians believed that the soul of a warrior killed in battle went at once to Valhalla, which represented their idea of heaven.