4. An ornament or badge of some kind, shown in [Fig. 44]. The two crescent-shaped pieces are entirely plain, except some slightly impressed lines on the portion connecting them with the central stem. This central stem, throughout its entire length and to the width of six-tenths of an inch, is raised, and cross strips are placed at various points along the under side for the purpose of inserting a slip of bone, a part of which yet remains in it, and is seen in the figure at the break immediately below the point where the oblique strips meet. This specimen presents, as I believe, indubitable evidence that the workmen who formed it made use of metallic tools, as the cutting in this case could not possibly have been done with anything except a metallic implement. A single glance at it is sufficient to satisfy any one of the truth of this assertion. Length of the stem, 9 inches; width across the crescents, 7½ inches.

5. Part of an ornament similar to No. 4. These plates, especially No. 4, appear to be enlarged patterns of that seen behind the head of [Fig. 43].

6. An ornament or badge, shown in [Fig. 45], which Mr. Rogan, when he found it under the head of the skeleton in grave a, was inclined to consider a crown. It is imperfect, a narrow strip across the middle and a portion of the tip being missing. As shown in the figure, it measures around the outer border 19 inches and across the broad end 3½ inches. The six holes at the larger end, in which the remains of strings can be detected, indicate that when in use it was attached to some portion of the dress or fastened on a staff.

7. A fragment from the larger end of a piece similar to the preceding. Attached to this is a piece of cloth.

In addition to the foregoing, there are a number of small fragments probably broken from these plates, but, so far, I have been unable to fit them to their proper places.

These plates and the ones mentioned below are very thin, and as even and smooth (except as interrupted by the figures) as tin plate. The figures are all stamped, the lines and indentations being very sharp and regular.

An examination of what Mr. Rogan calls a skin shows beyond question that it is animal matter. The matting he speaks of appears to be made of split canes.