Lacy met her in the hospital and there he loved her. Rhett Sempland met her in a hospital, also. Poor Sempland had been captured in an obscure skirmish late in 1861. Through some hitch in the matter he had been held prisoner in the North until the close of 1863, when he had been exchanged and, wretchedly ill, he had come back to Charleston, like Lacy, to die.
He had found no opportunity for distinction of any sort. There was no glory about his situation, but prison life and fretting had made him show what he had suffered. At the hospital, then, like Lacy, he too had fallen in love with Miss Fanny Glen.
By rights the hero—not of this story, perhaps, but the real hero—was much the handsomer of the two. It is always so in romances; and romances—good ones, that is—are the reflex of life. Such a combination of manly beauty with unshakable courage and reckless audacity was not often seen as Lacy exhibited. Sempland was homely. Lacy had French and Irish blood in him, and he showed it. Sempland was a mixture of sturdy Dutch and English stock.
Yet if women found Lacy charming they instinctively depended upon Sempland. There was something thoroughly attractive in Sempland, and Fanny Glen unconsciously fell under the spell of his strong personality. The lasting impression which the gayety and passionate abandon of Lacy could not make, Sempland had effected, and the girl was already powerfully under his influence—stubbornly resistant nevertheless.
She was fond of both men. She loved Lacy for the dangers he had passed, and Sempland because she could not help it; which marks the relative quality of her affections. Which one she loved the better until the moment at which the story opens she could not have told.
Nobody knew anything about Fanny Glen. At least there were only two facts concerning her in possession of the general public. These, however, were sufficient. One was that she was good. The men in the hospital called her an angel. The other was that she was beautiful. The women of the city could not exactly see why the men thought so, which was confirmation strong as proofs of Holy Writ!
She had come to Charleston at the outbreak of the war accompanied by an elderly woman of unexceptional manner and appearance who called herself Miss Lucy Glen, and described herself as Miss Fanny Glen's aunt. They had taken a house in the fashionable quarter of the city—they were not poor at any rate—and had installed themselves therein with their slaves.
They made no attempt to enter into the social life of the town and only became prominent when Charleston began to feel acutely the hardships of the war which it had done more to promote than any other place in the land.
Then Fanny Glen showed her quality. A vast hospital was established, and the young women of the city volunteered their services.
The corps of nurses was in a state of constant fluxion. Individuals came and went. Some of them married patients, some of them died with them, but Fanny Glen neither married nor died—she abided!