| Plutarch: | |
| De Musica, c. 6 (harmoniai), | [ 25] |
| cc. 15-17 (Platonic modes), | [21 - 25],[103] |
| c. 19 (tonos, harmonia), | [ 26] |
| De gener. Mundi, p. 1029 c (Proslambanomenos), | [ 39] |
| Pollux, Onom. iv. 78 (harmoniai aulêtikai), | [ 22],[ 28] |
| Pratinas ap. Athen. xiv. p. 624 f (mête syntonon k.t.l.), | [ 5] |
| Ptolemy: | |
| Harm. i. 13 (musical ratios of Archytas), | [123] |
| i. 16 (hêgemôn=highest note), | [ 45] |
| ibid. (scales of the cithara), | [84 - 86],[102],[123] |
| ibid. (Pythagorean division), | [ 87] |
| ii. 6 (modulation), | [ 67] |
| ii. 7 (pitch of scales), | [ 80] |
| ii. 16 (scales of the cithara), | [ 84],[102] |
| Seikelos inscription, | [ 89],[132] |
| Telestes ap. Athen. xiv. p. 625 f (Phrygian and Lydian), | [ 6] |
| Theon Smyrnaeus, c. 8 (enlargement of scale), | [ 37] |
THE END
Note on the Seikilos Inscription ([pp. 89-91, 133]).
Since the publication of this work, the Seikilos inscription has been examined afresh by Mr. J. A. R. Munro (of Lincoln College, Oxford). The result of his examination is to show that the last note of the melody has been misread. From a squeeze which he has kindly placed at my disposal it appears that the word apaitei is written—
The line drawn under the three notes