It is a Sunday afternoon in the Summer of the year ’45—a glorious summer’s afternoon. The garden at Wilberlee, stretching below the parlour window right down to the river-side—no great stretch, indeed—is ablaze with colour. The sky overhead is of rich deep blue, flecked with trailing wisps of feathery cloudlets. The lark sings high in mid ether. From the meadows round about comes the scent of the hay, and the garden gives forth its fragrance of musk and rose. In a low basket-chair, placed beneath the shades of an umbrageous chestnut tree, Mrs. Tinker sits, stiff, erect, unyielding. She is dressed in rich dark silk, and the lace of collar and cuffs have come from the skilled fingers of the nuns of Belgian convents. A religious periodical, the “Baptist Magazine,” lies unheeded on her lap, for Martha is watching, with wistful eyes, the graceful movements of a young girl, who flits from flower to flower, and bends occasionally to snip a bloom or leaf.
“Why are you getting flowers of a Sunday: Dorothy? You know your uncle would not like it. I’m sure we don’t want any more in the house—the parlour smells almost sickly with them—besides, it’s Sunday.”
“I don’t want them for the parlour, aunt Martha. They are for poor Lucy Garside.”
“Who’s Lucy Garside?”
“Why, aunt, how can you forget? She worked in uncle’s mill till she had to leave. It is something the matter with her legs and spine. Don’t you mind that pretty, rosy Lucy Garside, that used to be in your class at the Sunday School? But she isn’t rosy now—oh! so pale and thin, and has to lie all day on the settle.”
“You mean the sofa, child.”
“No, aunt, the kitchen settle I mean, they have no sofa; but they try to make it comfortable for her with shawls and things; and her mother is making a list hearth-rug for her to lie on, and then, may-be, she’ll be easier—and she loves flowers. You will let me take them, aunt Martha, won’t you?”
“Well, they’re gathered now, and it’s no use wasting them. But, in future, you must ask my leave before you cut more. And I don’t quite know how your uncle would like you going trashing about among those low mill-girls.”
“But, aunt”—and here Dorothy lowered her voice and glanced timorously at the opened window of the parlour—“but, aunt Martha, they say—in the village, I mean, not Lucy’s mother—that Lucy’s hurt her spine and crooked her legs working too long in the mill—hours and hours, and hours, they say, all the day and nearly all the night, and sleeping under the machines because she was too tired to go home to bed; and that, and not enough to eat, the doctor says, has made poor Lucy a cripple for life.”
“Then Dr. Wimpenny ought to be whipped for saying such things, and I won’t have you listening to these tittle-tattling stories. You ought to be ashamed of yourself, to let folks tell you lies about your uncle’s mill. Folk ought to be glad they can send their children to work, to earn their own living. How would they live if they couldn’t? But there’s no gratitude left in the world—that’s a fact. But there’s your uncle finished his nap, and you’d best be off; and don’t let me hear any more of your silly tales about things you don’t understand.”