TOM AND JACK RIDE TOGETHER

These days Monica was fascinating to Jack's eyes. She wore a black dress, and her slimness, her impulsive girlishness under this cloud were wistful, exquisite. He would have liked to love her, soothingly, protectively, passionately. He would have liked to cherish her, with passion. Always he looked to her for a glance of intimacy, looked to see if she wouldn't accept his passion and his cherishing. He wanted to touch her, to kiss her, to feel the eternal lightning of her slim body through the cloud of that black dress. He wanted to declare to her that he loved her, as Alec Rice had declared to Grace; and he wanted to ask her to marry him. To ask her to marry him at once.

But mostly he wanted to touch her and hold her in his arms. He watched her all the time, hoping to get one of the old, long looks from her yellow eyes, from under her bended brows. Her long, deep, enigmatic looks, that used to worry him so. Now he longed for her to look at him like that.

Or better still if she would let him see her trouble and her grief, and love her so, with a passionate cherishing.

But she would do neither. She kept her grief and her provocation both out of sight, as if neither existed. Her little face remained mute and closed, like a shut-up bud. She only spoke to him with a vague distant voice, and she never really looked at him. Or if she did glance at him, it was in a kind of anger, and pain, as if she did not want to be interfered with; didn't want to be pulled down.

He was completely puzzled. Her present state was quite incomprehensible to him. She had nothing to reproach him with, surely. And if she had loved him, even a little, she could surely love him that little still. If she had so often taken his hand and clutched it, surely she could now let him take her hand, in real sympathy.

It was if she were angry with him because Dad had died. Jack hadn't wanted Dad to die. Indeed no. He was cut up by it as if he had been one of the family. And it was as bad a blow to his destiny as to hers. He was as sore and sorry as anybody. Yet she kept her face shut against him, and avoided him, as if he were to blame.

Completely puzzled, Jack went on with his preparations for departure. He had no choice. He was under orders from Mr. George, and with Mrs. Ellis' approval, to quit Wandoo, to ride with Tom up to Geraldton, and to spend at least a year on the sheep station up north. It had to be. It was the wheel of fate. So let it be.

And as the last day drew near, the strange volcano of anger which slumbered at the bottom of his soul—a queer, quiescent crater of anger which churned its deep hot lava invisible—threw up jets of silver rage, which hardened rapidly into a black, rocky indifference. And this was characteristic of him: an indifference which was really congealed anger, and which gave him a kind of innocent, remote, childlike quietness.

This was his nature. He was himself vaguely aware of the unplumbed crater of silent anger which lay at the bottom of his soul. It was not anger against any particular thing, or because of anything in particular. It was just generic, inherent in him. It was himself. It did not make him hate people, individually, unless they were hateful. It did not make him hard or cruel. Indeed he was too yielding rather than otherwise, too gentle and mindful of horses and cattle, for example, unmindful of himself. Tom often laughed at him for it. If Lucy had a will of her own, and a caprice she wanted to execute, he always let her go ahead, take her way, as far as was reasonable. If she exceeded her limits, his anger roused and there was no doing any more with him. But he very rarely, very rarely got really angry. Only then in the long, slow accumulation of hostility, as with Easu.