And he would sit alone for hours listening to the loud-speaker bellowing forth. It amazed and stunned Connie. But there he would sit, with a blank entranced expression on his face, like a person losing his mind, and listen, or seem to listen, to the unspeakable thing.
Was he really listening? Or was it a sort of soporific he took, whilst something else worked on underneath in him? Connie did not know. She fled up to her room, or out of doors to the wood. A kind of terror filled her sometimes, a terror of the incipient insanity of the whole civilised species.
But now that Clifford was drifting off to this other weirdness of industrial activity, becoming almost a creature, with a hard, efficient shell of an exterior and a pulpy interior, one of the amazing crabs and lobsters of the modern, industrial and financial world, invertebrates of the crustacean order, with shells of steel, like machines, and inner bodies of soft pulp, Connie herself was really completely stranded.
She was not even free, for Clifford must have her there. He seemed to have a nervous terror that she should leave him. The curious pulpy part of him, the emotional and humanly-individual part, depended on her with terror, like a child, almost like an idiot. She must be there, there at Wragby, a Lady Chatterley, his wife. Otherwise he would be lost like an idiot on a moor.
This amazing dependence Connie realised with a sort of horror. She heard him with his pit managers, with the members of his Board, with young scientists, and she was amazed at his shrewd insight into things, his power, his uncanny material power over what is called practical men. He had become a practical man himself, and an amazingly astute and powerful one, a master. Connie attributed it to Mrs. Bolton's influence upon him, just at the crisis in his life.
But this astute and practical man was almost an idiot when left alone to his own emotional life. He worshipped Connie, she was his wife, a higher being, and he worshipped her with a queer, craven idolatry, like a savage, a worship based on enormous fear, and even hate of the power of the idol, the dread idol. All he wanted was for Connie to swear, to swear not to leave him, not to give him away.
"Clifford," she said to him—but this was after she had the key to the hut—"Would you really like me to have a child one day?"
He looked at her with a furtive apprehension in his rather prominent pale eyes.
"I shouldn't mind, if it made no difference between us," he said.
"No difference to what?" she asked.