The car passed the ornamental ponds, in which the colliers threw their newspapers, and took the private drive to the house. It stood above, aside, a very pleasant stucco building from the middle of the eighteenth century. It had a beautiful alley of yew trees, that had approached an older house, and the hall stood serenely spread out, winking its Georgian panes as if cheerfully. Behind, there were really beautiful gardens.

Connie liked the interior much better than Wragby. It was much lighter, more alive, shapen and elegant. The rooms were panelled with creamy-painted panelling, the ceilings were touched with gilt, and everything was kept in exquisite order, all the appointments were perfect, regardless of expense. Even the corridors managed to be ample and lovely, softly curved and full of life.

But Leslie Winter was alone. He had adored his house. But his park was bordered by three of his own collieries. He had been a generous man in his ideas. He had almost welcomed the colliers in his park. Had the miners not made him rich! So, when he saw the gangs of unshapely men lunging by his ornamental waters—not on the private part of the park, no, he drew the line there—he would say: "the miners are perhaps not so ornamental as deer, but they are far more profitable."

But that was in the golden—monetarily—latter half of Queen Victoria's reign. Miners were then "good working men."

Winter had made this speech, half apologetic, to his guest, the then Prince of Wales. And the Prince had replied, in his rather guttural English:

"You are quite right. If there were coal under Sandringham, I would open a mine on the lawns, and think it first-rate landscape gardening. Oh, I am quite willing to exchange roe-deer for colliers, at the price. Your men are good men too, I hear."

But then, the Prince had perhaps an exaggerated idea of the beauty of money, and the blessings of industrialism.

However, the Prince had been a King, and the King had died, and now there was another King, whose chief function seemed to be, to open soup-kitchens.

And the good working men were somehow hemming Shipley in. New mining villages crowded on the park, and the squire felt somehow that the population was alien. He used to feel, in a good-natured but quite grand way, lord of his own domain and of his own colliers. Now, by a subtle pervasion of the new spirit, he had somehow been pushed out. It was he who did not belong any more. There was no mistaking it. The mines, the industry had a will of its own, and this will was against the gentleman-owner. All the colliers took part in the will, and it was hard to live up against it. It either shoved you out of the place, or out of life altogether.

Squire Winter, a soldier, had stood it out. But he no longer cared to walk in the park after dinner. He almost hid, indoors. Once he had walked, bare-headed, and in his patent-leather shoes and purple silk socks, with Connie down to the gate, talking to her in his well-bred rather haw-haw fashion. But when it came to passing the little gangs of colliers who stood and stared without either salute or anything else, Connie felt how the lean, well-bred old man winced, winced as an elegant antelope stag in a cage winces from the vulgar stare. The colliers were not personally hostile: not at all. But their spirit was cold, and shoving him out. And deep down, there was a profound grudge. They "worked for him." And in their ugliness, they resented his elegant, well-groomed, well-bred existence. "Who's he!" It was the difference they resented.