"Canna ter? Well, dunna fret! There's no law says as tha's got to. Ta'e it for what it is."
He still lay with his hand on her breast. But she had drawn both her hands from him.
His words were small comfort. She sobbed aloud.
"Nay, nay," he said. "Ta'e the thick wi' th' thin. This wor' a bit o' thin for once."
She wept bitterly, sobbing: "But I want to love you, and I can't. It only seems horrid."
He laughed a little, half bitter, half amused.
"It isna horrid," he said, "even if tha thinks it is. An' tha canna ma'e it horrid. Dunna fret thysen about lovin' me. Tha'lt niver force thysen to 't. There's sure to be a bad nut in a basketful. Tha mun ta'e th' rough wi' th' smooth."
He took his hand away from her breast, not touching her. And now she was untouched she took an almost perverse satisfaction in it. She hated the dialect: the thee and the tha and the thysen. He could get up if he liked, and stand there above her buttoning down those absurd corduroy breeches, straight in front of her. After all, Michaelis had had the decency to turn away. This man was so assured in himself, he didn't know what a clown other people found him, a half-bred fellow.
Yet, as he was drawing away, to rise silently and leave her, she clung to him in terror.
"Don't! Don't go! Don't leave me! Don't be cross with me! Hold me! Hold me fast!" she whispered in blind frenzy, not even knowing what she said, and clinging to him with uncanny force. It was from herself she wanted to be saved, from her own inward anger and resistance. Yet how powerful was that inward resistance that possessed her!