"Possibly! And the world would look on you as lunatics: or worse."
"What is worse?"
"Criminals, I suppose."
"Hope I can plunge in the dagger a few more times yet," he said grinning. Then he was silent, and angry.
"Well!" he said at last. "I agree to anything. The world is a raving idiot, and no man can kill it: though I'll do my best. But you're right. We must rescue ourselves as best we can."
He looked in humiliation, anger, weariness and misery at Connie.
"Ma lass!" he said. "The world's goin' to put salt on thy tail."
"Not if we don't let it," she said.
She minded this conniving against the world less than he did.
Duncan, when approached, also insisted on seeing the delinquent gamekeeper, so there was a dinner, this time in his flat: the four of them. Duncan was a rather short, broad, dark-skinned, taciturn Hamlet of a fellow with straight black hair and a weird Celtic conceit of himself. His art was all tubes and valves and spirals and strange colours, ultra modern, yet with a certain power, even a certain purity of form and tone: only Mellors thought it cruel and repellent. He did not venture to say so, for Duncan was almost insane on the point of his art; it was a personal cult, a personal religion with him.