"There's a lot of Tevershall men left and gone to Stacks Gate and Whiteover," said Mrs. Bolton. "You've not seen the new works at Stacks Gate, opened after the War, have you Sir Clifford? Oh you must go one day, they're something quite new: great big chemical works at the pit-head, doesn't look a bit like a colliery. They say they get more money out of the chemical by-products than out of the coal—I forget what it is. And the grand new houses for the men, fair mansions! Of course it's brought a lot of riff-raff from all over the country. But a lot of Tevershall men got on there, and doin' well, a lot better than our own men. They say Tevershall's done, finished: only a question of a few more years, and it'll have to shut down. And New London'll go first. My word, won't it be funny, when there's no Tevershall pit working. It's bad enough during a strike, but my word, if it closes for good, it'll be like the end of the world. Even when I was a girl it was the best pit in the country, and a man counted himself lucky if he could get on here. Oh, there's been some money made in Tevershall. And now the men say it's a sinking ship, and it's time they all got out. Doesn't it sound awful! But of course there's a lot as'll never go till they have to. They don't like these new fangled mines, such a depth, and all machinery to work them. Some of them simply dreads those iron men, as they call them, those machines for hewing the coal, where men always did it before. And they say it's wasteful as well. But what goes in waste is saved in wages, and a lot more. It seems soon there'll be no use for men on the face of the earth, it'll be all machines. But they say that's what folks said when they had to give up the old stocking frames. I can remember one or two. But my word, the more machines, the more people, that's what it looks like! They say you can't get the same chemicals out of Tevershall coal as you can out of Stacks Gate, and that's funny, they're not three miles apart. But they say so. But everybody says it's a shame something can't be started, to keep the men going a bit better, and employ the girls. All the girls traipsing off to Sheffield every day! My word, it would be something to talk about if Tevershall Collieries took a new lease on life, after everybody saying they're finished, and a sinking ship, and the men ought to leave them like rats leave a sinking ship. But folks talk so much. Of course there was a boom during the war. When Sir Geoffrey made a trust of himself and got the money safe for ever, somehow. So they say! But they say even the masters and the owners don't get much out of it now. You can hardly believe it, can you! Why I always thought the Pits would go on for ever and ever. Who'd have thought, when I was a girl! But New England's shut down, so is Colwick Wood: yes, it's fair haunting to go through that coppy and see Colwick Wood standing there deserted among the trees, and bushes growing up all over the pit-head, and the lines red rusty. It's like death itself, a dead colliery. Why whatever we should do if Tevershall shut down—? it doesn't bear thinking of. Always that throng it's been, except at strikes, and even then the fanwheels didn't stand, except when they fetched the ponies up. I'm sure it's a funny world, you don't know where you are from year to year, you really don't."
It was Mrs. Bolton's talk that really put a new fight into Clifford. His income, as she pointed out to him, was secure, from his father's trust, even though it was not large. The pits did not really concern him. It was the other world he wanted to capture, the world of literature and fame; the popular world, not the working world.
Now he realised the distinction between popular success and working success: the populace of pleasure and the populace of work. He, as a private individual, had been catering with his stories for the populace of pleasure. And he had caught on. But beneath the populace of pleasure lay the populace of work, grim, grimey, and rather terrible. They too had to have their providers. And it was a much grimmer business, providing for the populace of work, than for the populace of pleasure. While he was doing his stories, and "getting on" in the world, Tevershall was going to the wall.
He realised now that the bitch-goddess of success had two main appetites: one for flattery, adulation, stroking and tickling such as writers and artists gave her; but the other a grimmer appetite for meat and bones. And the meat and bones for the bitch-goddess were provided by the men who made money in industry.
Yes, there were two great groups of dogs wrangling for the bitch-goddess: the group of the flatterers, those who offered her amusement, stories, films, plays: and the other, much less showy, much more savage breed, those who gave her meat, the real substance of money. The well-groomed showy dogs of amusement wrangled and snarled among themselves for the favours of the bitch-goddess. But it was nothing to the silent fight-to-the-death that went on among the indispensables, the bone-bringers.
But under Mrs. Bolton's influence, Clifford was tempted to enter this other fight, to capture the bitch-goddess by brute means of industrial production. Somehow, he got his pecker up. In one way, Mrs. Bolton made a man of him, as Connie never did. Connie kept him apart, and made him sensitive and conscious of himself and his own states. Mrs. Bolton made him aware only of outside things. Inwardly he began to go soft as pulp. But outwardly he began to be effective.
He even roused himself to go to the mines once more: and when he was there, he went down in a tub, and in a tub he was hauled out into the workings. Things he had learned before the war, and seemed utterly to have forgotten, now came back to him. He sat there, crippled, in a tub, with the underground manager showing him the seam with a powerful torch. And he said little. But his mind began to work.
He began to read again his technical works on the coal-mining industry, he studied the Government reports, and he read with care the latest things on mining and the chemistry of coal and of shale which were written in German. Of course the most valuable discoveries were kept secret as far as possible. But once you started a sort of research in the field of coal-mining, a study of methods and means, a study of by-products and the chemical possibilities of coal, it was astounding, the ingenuity and the almost uncanny cleverness of the modern technical mind, as if really the devil himself had lent fiend's wits to the technical scientists of industry. It was far more interesting than art, than literature, poor emotional half-witted stuff, was this technical science of industry. In this field, men were like gods, or demons, inspired to discoveries, and fighting to carry them out. In this activity, men were beyond any mental age calculable. But Clifford knew that when it did come to the emotional and human life, these self-made men were of a mental age of about thirteen, feeble boys. The discrepancy was enormous and appalling.
But let that be. Let man slide down to general idiocy in the emotional and "human" mind, Clifford did not care. Let all that go hang. He was interested in the technicalities of modern coal-mining, and in pulling Tevershall out of the hole.
He went down to the pit day after day, he studied, he put the general manager, and the overhead manager, and the underground manager, and the engineers through a mill they had never dreamed of. Power! He felt a new sense of power flowing through him: power over all these men, over the hundreds and hundreds of colliers. He was finding out: and he was getting things into his grip.