In the Egyptians, the spark between man and the living universe remains alight for ever in those early, silent, motionless statues of Pharaohs. They say, it is the statue of the soul of the man. But what is the soul of a man, except that in him which is himself alone, suspended in immediate relationship to the sum of things? Not isolated or cut off. The Greeks began the cutting apart business. And Rodin’s remerging was only an intellectual tacking on again.
The serpent hasn’t got his tail in his mouth. He is on the alert, with lifted head like a listening, sparky flower. The Egyptians knew.
But when the oldest Egyptians carve a hawk or a Sekhet-cat, or paint birds or oxen or people: and when the Assyrians carve a she-lion: and when the cave-men drew the charging bison, or the reindeer, in the caves of Altamira: or when the Hindoo paints geese or elephants or lotus in the great caves of India whose name I forget—Ajanta!—then how marvellous it is! How marvellous is the living relationship between man and his object! be it man or woman, bird, beast, flower or rock or rain: the exquisite frail moment of pure conjunction, which, in the fourth dimension, is timeless. An Egyptian hawk, a Chinese painting of a camel, an Assyrian sculpture of a lion, an African fetish idol of a woman pregnant, an Aztec rattlesnake, an early Greek Apollo, a cave-man’s paintings of a Pre-historic mammoth, on and on, how perfect the timeless moments between man and the other Pan-creatures of this earth of ours!
And by the way, speaking of cave-men, how did those prognathous semi-apes of Altamira come to depict so delicately, so beautifully, a female bison charging, with swinging udder, or deer stooping feeding, or an antediluvian mammoth deep in contemplation. It is art on a pure, high level, beautiful as Plato, far, far more “civilized” than Burne Jones. Hadn’t somebody better write Mr. Wells’ History backwards, to prove how we’ve degenerated, in our stupid visionlessness, since the cave-men?
The pictures in the cave represent moments of purity which are the quick of civilization. The pure relation between the cave-man and the deer: fifty per-cent. man, and fifty per-cent. bison, or mammoth, or deer. It is not ninety-nine per-cent. man, and one per-cent. horse: as in a Raphael horse. Or hundred per-cent. fool, as when F. G. Watts sculpts a bronze horse and calls it Physical Energy.
If it is to be life, then it is fifty per-cent. me, fifty per-cent. thee: and the third thing, the spark, which springs from out of the balance, is timeless. Jesus, who saw it a bit vaguely, called it the Holy Ghost.
Between man and woman, fifty per-cent. man and fifty per-cent. woman: then the pure spark. Either this, or less than nothing.
As for ideal relationships, and pure love, you might as well start to water tin pansies with carbolic acid (which is pure enough, in the antiseptic sense) in order to get the Garden of Paradise.