The first stop was where a wild, rough lane came down the hill to our road. At the corner stood a lonely house—and in the road-side the most battered, life-weary old carriage I have ever seen. The jaunty mate sorted out the post—the boy with the tattered-battered brown carriage and brown pony signed the book as we all stood in the roadway. There was a little wait for a man who was fetching up another parcel. The post-bag and parcels from the tattered carriage were received and stowed and signed for. We walked up and down in the sun to get warm. The landscape was wild and open round about.

Pip! goes Mr. Rochester, peremptorily, at the horn. Amazing how obediently we scuffle in. Away goes the bus, rushing towards the sea. Already one felt that peculiar glare in the half-way heavens, that intensification of the light in the lower sky, which is caused by the sea to sunward.

Away in front three girls in brown costume are walking along the side of the white high-road, going with panniers towards a village up a slight incline. They hear us, turn round, and instantly go off their heads, exactly like chickens in the road. They fly towards us, crossing the road, and swifter than any rabbits they scuttle, one after another, into a deep side-track, like a deep ditch at right angles to the road. There, as we roll past, they are all crouched, peering out at us fearfully, like creatures from their hole. The bus mate salutes them with a shout, and we roll on towards the village on the low summit.


It is a small, stony, hen-scratched place of poor people. We roll on to a standstill. There is a group of poor people. The women wear the dark-brown costume, and again the bolero has changed shape. It is a rather fantastic low corset, curiously shapen; and originally, apparently, made of wonderful elaborate brocade. But look at it now.

There is an altercation because a man wants to get into the bus with two little black pigs, each of which is wrapped in a little sack, with its face and ears appearing like a flower from a wrapped bouquet. He is told that he must pay the fare for each pig as if it were a Christian. Cristo del mondo! A pig, a little pig, and paid for as if it were a Christian. He dangles the pig-bouquets, one from each hand, and the little pigs open their black mouths and squeal with self-conscious appreciation of the excitement they are causing. Dio benedetto! it is a chorus. But the bus mate is inexorable. Every animal, even if it were a mouse, must be paid for and have a ticket as if it were a Christian. The pig-master recoils stupified with indignation, a pig-bouquet under each arm. "How much do you charge for the fleas you carry?" asks a sarcastic youth.

A woman sitting sewing a soldier's tunic into a little jacket for her urchin, and thus beating the sword into a ploughshare, stitches unconcernedly in the sun. Round-cheeked but rather slatternly damsels giggle. The pig-master, speechless with fury, slings the pig-bouquets, like two bottles one on either side the saddle of the ass whose halter is held by a grinning but also malevolent girl: malevolent against pig-prices, that is. The pigs, looking abroad from their new situation, squeal the eternal pig-protest against an insufferable humanity.

"Andiamo! Andiamo!" says ginger Mr. Rochester in his quiet but intense voice. The bus-mate scrambles up and we charge once more into the strong light to seaward.


In we roll, into Orosei, a dilapidated, sun-smitten, god-forsaken little town not far from the sea. We descend in piazza. There is a great, false baroque façade to a church, up a wavering vast mass of steps: and at the side a wonderful jumble of roundnesses with a jumble of round tiled roofs, peaked in the centre. It must have been some sort of convent. But it is eminently what they call a "painter's bit"—that pallid, big baroque face, at the top of the slow incline, and the very curious dark building at the side of it, with its several dark-tiled round roofs, like pointed hats, at varying altitudes. The whole space has a strange Spanish look, neglected, arid, yet with a bigness and a dilapidated dignity and a stoniness which carry one back to the Middle Ages, when life was violent and Orosei was no doubt a port and a considerable place. Probably it had bishops.