He took the top loaves out, tapped them vigorously. They were done. He put them on the hearth to cool. Then he went to the scullery, wetted his hands, scooped the last white dough out of the punchion, and dropped it in a baking-tin. Miriam was still bent over her painted cloth. He stood rubbing the bits of dough from his hands.
"You do like it?" he asked.
She looked up at him, with her dark eyes one flame of love. He laughed uncomfortably. Then he began to talk about the design. There was for him the most intense pleasure in talking about his work to Miriam. All his passion, all his wild blood, went into this intercourse with her, when he talked and conceived his work. She brought forth to him his imaginations. She did not understand, any more than a woman understands when she conceives a child in her womb. But this was life for her and for him.
While they were talking, a young woman of about twenty-two, small and pale, hollow-eyed, yet with a relentless look about her, entered the room. She was a friend at the Morels'.
"Take your things off," said Paul.
"No, I'm not stopping."
She sat down in the arm-chair opposite Paul and Miriam, who were on the sofa. Miriam moved a little farther from him. The room was hot, with a scent of new bread. Brown, crisp loaves stood on the hearth.
"I shouldn't have expected to see you here tonight, Miriam Leivers," said Beatrice wickedly.
"Why not?" murmured Miriam huskily.