“Yes, Señorita! The sailing boats are waiting for the wind, to come into the river. We will pass by the canal.”
He indicated with a backward movement of the head a narrow, twisting passage of water between deep reeds. It made Kate think of the little river Anapo: the same mystery unbroken. The boatman, with creases half of sadness and half of exaltation in his bronze, still face, was pulling with all his might. Water-fowl went swimming into the reeds, or rose on wing and wheeled into the blue air. Some willow trees hung a dripping, vivid green, in the stark dry country. The stream was narrow and winding. With a nonchalant motion, first of the right then of the left hand, Villiers was guiding the boatman, to keep him from running aground in the winding, narrow water-way.
And this put Villiers at his ease, to have something practical and slightly mechanical to do and to assert. He was striking the American note once more, of mechanical dominance.
All the other business had left him incomprehending, and when he asked Kate, she had pretended not to hear him. She sensed a certain delicate, tender mystery in the river, in the naked man in the water, in the boatman, and she could not bear to have it subjected to the tough American flippancy. She was weary to death of American automatism and American flippant toughness. It gave her a feeling of nausea.
“Quite a well-built fellow, that one who laid hold of the boat. What did he want, anyway?” Villiers insisted.
“Nothing!” said Kate.
They were slipping out past the clay-coloured, loose stony edges of the land, through a surge of ripples, into the wide white light of the lake. A breeze was coming from the east, out of the upright morning, and the surface of the shallow, flimsy, dun-coloured water was in motion. Shoal-water rustled near at hand. Out to the open, large, square white sails were stepping gingerly forward, and beyond the buff-coloured, pale desert of water rose far-away blue, sharp hills of the other side, many miles away, pure pale blue with distance, yet sharp-edged and clear in form.
“Now,” said the boatman, smiling to Kate, “it is easier. Now we are out of the current.”
He pulled rhythmically through the frail-rippling, sperm-like water, with a sense of peace. And for the first time Kate felt she had met the mystery of the natives, the strange and mysterious gentleness between a scylla and a charybdis of violence; the small poised, perfect body of the bird that waves wings of thunder and wings of fire and night, in its flight. But central between the flash of day and the black of night, between the flash of lightning and the break of thunder, the still, soft body of the bird poised and soaring, forever. The mystery of the evening-star brilliant in silence and distance between the downward-surging plunge of the sun and the vast, hollow seething of inpouring night. The magnificence of the watchful morning-star, that watches between the night and the day, the gleaming clue to the two opposites.
This kind of frail, pure sympathy she felt at the moment between herself and the boatman, between herself and the man who had spoken from the water. And she was not going to have it broken by Villiers’ American jokes.