And spue out corrosion into your streams, on your rains.

And I wait for the final day, when the dragon of thunder, waking under the spider-web nets

Which you’ve thrown upon him, shall suddenly shake with rage,

And dart his electric needles into your bones, and curdle your blood like milk with electric venom.

Wait! Only wait! Little by little it all shall come upon you.

Ramón put on his black city clothes, and a black hat, and went himself with this hymn to the printer in the city. The sign of Quetzalcoatl he had printed in black and red, and the sign of the dragon, at the end, in green and black and red. And the sheet was folded.

Six soldiers of Cipriano’s command took the bundles of hymns by train; one to the capital, one to Puebla and Jalapa, one to Tampico and Monterrey, one to Torreon and Chihuahua, one to Sinaloa and Sonora, and one to the mines in Pachucha, Guanajuato, and the central region. Each soldier took only a hundred sheets. But in every town there was a recognised Reader of the Hymns; or two, or three, or four, or even ten Readers in one city. And readers who went round to the villages.

Because there was a strange, submerged desire in the people for things beyond the world. They were weary of events, and weary of news and the newspapers, weary even of the things that are taught in education. Weary is the spirit of man with man’s importunity. Of all things human, and humanly invented, we have had enough, they seemed to say. And though they took not much active notice of the Hymns, they craved for them, as men crave for alcohol, as a relief from the weariness and ennui of mankind’s man-made world.

Everywhere, in all the towns and villages, at night-time the little flames would be seen flickering, a cluster of people was seen, sometimes standing, sometimes sitting upon the ground, listening to the slow voice of some Reader.

More rarely, in some small, out-of-the-way plaza, would sound the sinister thud of the tom-tom, beating out of the hollow of the ages. And there would be two men with white sarapes with the blue edges. Then the singing of the Songs of Quetzalcoatl, and perhaps the slow round dance, with the ancient rhythm of the feet on the earth, belonging to aboriginal America.