And laugh with me while the woman rests
For all we are worth.”
The man had sung this hymn over several times, halting and forgetting, his pure, burning voice faltering out; then the low, rather husky voice of Ramón, with a subtler intensity, coming in, as if heard from the centre of a shell; then again the sudden ripping sound of the true singer’s tenor, going like a flame through the blood.
Her mozo, a man-servant, had followed her into the garden, and sat at a distance on his heels, under a tree, with his back to the trunk, like a crouching shadow clothed in white. His toes spread dark and hard, in his open huaraches, and the black braid of his hat-string hung against his dark cheek. For the rest he was pure white, the white cotton tight on his thighs.
When the singing had finished above, and the drum was silent, and even the voices speaking in low tones, were silent, her mozo looked up at Kate, with his black hat-string dangling at his chin, his black eyes shining, and a timid sort of smile on his face.
“Està muy bien, Patróna?” he said shyly. “It is good, isn’t it, Mistress?”
“It is very good,” she replied, with the infallible echo. But there were conflicting feelings in her breast, and the man knew it.
He looked so young, when he smiled that gay, shy, excited little smile. Something of the eternal child in him. But a child that could harden in an instant into a savage man, revengeful and brutal. And a man always fully sex-alive, for the moment innocent in the fulness of sex, not in the absence. And Kate thought to herself, as she had thought before, that there were more ways than one of “becoming again as a little child.”
But the man had a sharp, watchful look in the corner of his eye: to see if she were feeling some covert hostility. He wanted her to acquiesce in the hymn, in the drum, in the whole mood. Like a child he wanted her to acquiesce. But if she were going to be hostile, he would be quick to be first in the hostility. Her hostile judgment would make a pure enemy of him.
Ah, all men were alike!