The train spun on and on. Little homely clusters of lamps, suggesting the quiet of country life, turned slowly round through the darkness. The men dropped into a doze. Olive put a handkerchief over her face and went to sleep. Louisa gradually nodded and jerked into slumber. Helena sat weariedly and watched the rolling of the sleeping travellers and the dull blank of the night sheering off outside. Neither the men nor the women looked well asleep. They lurched and nodded stupidly. She thought of Bazarof in Fathers and Sons, endorsing his opinion on the appearance of sleepers: all but Siegmund. Was Siegmund asleep? She imagined him breathing regularly on the pillows; she could see the under arch of his eyebrows, the fine shape of his nostrils, the curve of his lips, as she bent in fancy over his face.
The dawn came slowly. It was rather cold. Olive wrapped herself in rugs and went to sleep again. Helena shivered, and stared out of the window. There appeared a wanness in the night, and Helena felt inexpressibly dreary. A rosiness spread out far away. It was like a flock of flamingoes hovering over a dark lake. The world vibrated as the sun came up.
Helena waked the tipsy men at Exeter, having heard them say that there they must change. Then she walked the platform, very jaded. The train rushed on again. It was a most, most wearisome journey. The fields were very flowery, the morning was very bright, but what were these to her? She wanted dimness, sleep, forgetfulness. At eight o’clock, breakfast-time, the ”dauntless three” were driving in a waggonette amid blazing, breathless sunshine, over country naked of shelter, ungracious and harsh.
“Why am I doing this?” Helena asked herself.
The three friends, washed, dressed, and breakfasted. It was too hot to rest in the house, so they trudged to the coast, silently, each feeling in an ill humour.
When Helena was really rested, she took great pleasure in Tintagel. In the first place, she found that the cove was exactly, almost identically the same as the Walhalla scene in Walküre; in the second place, Tristan was here, in the tragic country filled with the flowers of a late Cornish summer, an everlasting reality; in the third place, it was a sea of marvellous, portentous sunsets, of sweet morning baths, of pools blossomed with life, of terrible suave swishing of foam which suggested the Anadyomene. In sun it was the enchanted land of divided lovers. Helena for ever hummed fragments of Tristan. As she stood on the rocks she sang, in her little, half-articulate way, bits of Isolde’s love, bits of Tristan’s anguish, to Siegmund.
She had not received her letter on Sunday. That had not very much disquieted her, though she was disappointed. On Monday she was miserable because of Siegmund’s silence, but there was so much of enchantment in Tintagel, and Olive and Louisa were in such high spirits, that she forgot most whiles.
On Monday night, towards two o’clock, there came a violent storm of thunder and lightning. Louisa started up in bed at the first clap, waking Helena. The room palpitated with white light for two seconds; the mirror on the dressing-table glared supernaturally. Louisa clutched her friend. All was dark again, the thunder clapping directly.
“There, wasn’t that lovely!” cried Louisa, speaking of the lightning. “Oo, wasn’t it magnificent!—glorious!”
The door clicked and opened: Olive entered in her long white nightgown. She hurried to the bed.