“It is half-past seven, and I am sitting ready dressed to go and talk to Harry Jackson about a young horse he wants to sell to me. He is in pretty low water, and it will make a pretty good horse. But I don’t care much whether I have it or not. The mood seized me to write to you. Somehow at the bottom I feel miserable and heavy, yet there is no need. I am making pretty good money, and I’ve got all I want. But when I’ve been ploughing and getting the oats in those fields on the hillside at the back of Greymede church, I’ve felt as if I didn’t care whether I got on or not. It’s very funny. Last week I made over five pounds clear, one way and another, and yet now I’m as restless, and discontented as I can be, and I seem eager for something, but I don’t know what it is. Sometimes I wonder where I am going. Yesterday I watched broken white masses of cloud sailing across the sky in a fresh strong wind. They all seemed to be going somewhere. I wondered where the wind was blowing them. I don’t seem to have hold on anything, do I? Can you tell me what I want at the bottom of my heart? I wish you were here, then I think I should not feel like this. But generally I don’t, generally I am quite jolly, and busy.

“By jove, here’s Harry Jackson come for me. I will finish this letter when I get back.

“——I have got back, we have turned out, but I cannot finish. I cannot tell you all about it. I’ve had a little row with Meg. Oh, I’ve had a rotten time. But I cannot tell you about it to-night, it is late, and I am tired, and have a headache. Some other time perhaps——

GEORGE SAXTON.”

The spring came bravely, even in south London, and the town was filled with magic. I never knew the sumptuous purple of evening till I saw the round arc-lamps fill with light, and roll like golden bubbles along the purple dusk of the high road. Everywhere at night the city is filled with the magic of lamps: over the river they pour in golden patches their floating luminous oil on the restless darkness; the bright lamps float in and out of the cavern of London Bridge Station like round shining bees in and out of a black hive; in the suburbs the street lamps glimmer with the brightness of lemons among the trees. I began to love the town.

In the mornings I loved to move in the aimless street’s procession, watching the faces come near to me, with the sudden glance of dark eyes, watching the mouths of the women blossom with talk as they passed, watching the subtle movements of the shoulders of men beneath their coats, and the naked warmth of their necks that went glowing along the street. I loved the city intensely for its movement of men and women, the soft, fascinating flow of the limbs of men and women, and the sudden flash of eyes and lips as they pass. Among all the faces of the street my attention roved like a bee which clambers drunkenly among blue flowers. I became intoxicated with the strange nectar which I sipped out of the eyes of the passers-by.

I did not know how time was hastening by on still bright wings, till I saw the scarlet hawthorn flaunting over the road, and the lime-buds lit up like wine drops in the sun, and the pink scarves of the lime-buds pretty as louse-wort a-blossom in the gutters, and a silver-pink tangle of almond boughs against the blue sky. The lilacs came out, and in the pensive stillness of the suburb, at night, came the delicious tarry scent of lilac flowers, wakening a silent laughter of romance.

Across all this, strangely, came the bleak sounds of home. Alice wrote to me at the end of May:

“Cyril dear, prepare yourself. Meg has got twins—yesterday. I went up to see how she was this afternoon, not knowing anything, and there I found a pair of bubs in the nest, and old ma Stainwright bossing the show. I nearly fainted. Sybil dear, I hardly knew whether to laugh or to cry when I saw those two rummy little round heads, like two larch cones cheek by cheek on a twig. One is a darkie, with lots of black hair, and the other is red, would you believe it, just lit up with thin red hair like a flicker of firelight. I gasped. I believe I did shed a few tears, though what for, I don’t know.

“The old grandma is a perfect old wretch over it. She lies chuckling and passing audible remarks in the next room, as pleased as punch really, but so mad because ma Stainwright wouldn’t have them taken in to her. You should have heard her when we took them in at last. They are both boys. She did make a fuss, poor old woman. I think she’s going a bit funny in the head. She seemed sometimes to think they were hers, and you should have heard her, the way she talked to them, it made me feel quite funny. She wanted them lying against her on the pillow, so that she could feel them with her face. I shed a few more tears, Sybil. I think I must be going dotty also. But she came round when we took them away, and began to chuckle to herself, and talk about the things she’d say to George when he came—awful shocking things, Sybil, made me blush dreadfully.