Emily, delighted, began to undress the baby whose hair was like crocus petals. Her fingers trembled with pleasure as she loosed the little tapes. I always remember the inarticulate delight with which she took the child in her hands, when at last his little shirt was removed, and felt his soft white limbs and body. A distinct, glowing atmosphere seemed suddenly to burst out around her and the child, leaving me outside. The moment before she had been very near to me, her eyes searching mine, her spirit clinging timidly about me. Now I was put away, quite alone, neglected, forgotten, outside the glow which surrounded the woman and the baby.
“Ha!—Ha-a-a!” she said with a deep throated vowel, as she put her face against the child’s small breasts, so round, almost like a girl’s, silken and warm and wonderful. She kissed him, and touched him, and hovered over him, drinking in his baby sweetnesses, the sweetness of the laughing little mouth’s wide, wet kisses, of the round, waving limbs, of the little shoulders so winsomely curving to the arms and the breasts, of the tiny soft neck hidden very warm beneath the chin, tasting deliciously with her lips and her cheeks all the exquisite softness, silkiness, warmth, and tender life of the baby’s body.
A woman is so ready to disclaim the body of a man’s love; she yields him her own soft beauty with so much gentle patience and regret; she clings to his neck, to his head and his cheeks, fondling them for the soul’s meaning that is there, and shrinking from his passionate limbs and his body. It was with some perplexity, some anger and bitterness that I watched Emily moved almost to ecstasy by the baby’s small, innocuous person.
“Meg never found any pleasure in me as she does in the kids,” said George bitterly, for himself.
The child, laughing and crowing, caught his hands in Emily’s hair and pulled dark tresses down, while she cried out in remonstrance, and tried to loosen the small fists that were shut so fast. She took him from the water and rubbed him dry, with marvellous gentle little rubs, he kicking and expostulating. She brought his fine hair into one silken up-springing of ruddy gold like an aureole. She played with his tiny balls of toes, like wee pink mushrooms, till at last she dare detain him no longer, when she put on his flannel and his night-gown and gave him to Meg.
Before carrying him to bed Meg took him to feed him. His mouth was stretched round the nipple as he sucked, his face was pressed close and closer to the breast, his fingers wandered over the fine white globe, blue veined and heavy, trying to hold it. Meg looked down upon him with a consuming passion of tenderness, and Emily clasped her hands and leaned forward to him. Even thus they thought him exquisite.
When the twins were both asleep, I must tiptoe upstairs to see them. They lay cheek by cheek in the crib next the large white bed, breathing little, ruffling breaths, out of unison, so small and pathetic with their tiny shut fingers. I remembered the two larks.
From the next room came a heavy sound of the old woman’s breathing. Meg went in to her. As in passing I caught sight of the large, prone figure in the bed, I thought of Guy de Maupassant’s “Toine,” who acted as an incubator.
CHAPTER V
THE DOMINANT MOTIF OF SUFFERING
The old woman lay still another year, then she suddenly sank out of life. George ceased to write to me, but I learned his news elsewhere. He became more and more intimate with the Mayhews. After old Mayhew’s bankruptcy, the two sons had remained on in the large dark house that stood off the Nottingham Road in Eberwich. This house had been bequeathed to the oldest daughter by the mother. Maud Mayhew, who was married and separated from her husband, kept house for her brothers. She was a tall, large woman with high cheek-bones and oily black hair looped over her ears. Tom Mayhew was also a handsome man, very dark and ruddy, with insolent bright eyes.