Twilight in Italy

by D. H. Lawrence

The King, the Emperor is killed in the soul of man, the old order of life is over, the old tree is dead at the root. So said Shakespeare. It was finally enacted in Cromwell. Charles I took up the old position of kingship by divine right. Like Hamlet's father, he was blameless otherwise. But as representative of the old form of life, which mankind now hated with frenzy, he must be cut down, removed. It was a symbolic act.

The world, our world of Europe, had now really turned, swung round to a new goal, a new idea, the Infinite reached through the omission of Self. God is all that which is Not-Me. I am consummate when my Self, the resistant solid, is reduced and diffused into all that which is Not-Me: my neighbour, my enemy, the great Otherness. Then I am perfect.

And from this belief the world began gradually to form a new State, a new body politic, in which the Self should be removed. There should be no king, no lords, no aristocrats. The world continued in its religious belief, beyond the French Revolution, beyond the great movement of Shelley and Godwin. There should be no Self. That which was supreme was that which was Not-Me, the other. The governing factor in the State was the idea of the good of others; that is, the Common Good. And the vital governing idea in the State has been this idea since Cromwell.

Before Cromwell the idea was 'For the King', because every man saw himself consummated in the King. After Cromwell the idea was 'For the good of my neighbour', or 'For the good of the people', or 'For the good of the whole'. This has been our ruling idea, by which we have more or less lived.

Now this has failed. Now we say that the Christian Infinite is not infinite. We are tempted, like Nietzsche, to return back to the old pagan Infinite, to say that is supreme. Or we are inclined, like the English and the Pragmatist, to say, 'There is no Infinite, there is no Absolute. The only Absolute is expediency, the only reality is sensation and momentariness.' But we may say this, even act on it, à la Sanine. But we never believe it.

What is really Absolute is the mystic Reason which connects both Infinites, the Holy Ghost that relates both natures of God. If we now wish to make a living State, we must build it up to the idea of the Holy Spirit, the supreme Relationship. We must say, the pagan Infinite is infinite, the Christian Infinite is infinite: these are our two Consummations, in both of these we are consummated. But that which relates them alone is absolute.

This Absolute of the Holy Ghost we may call Truth or Justice or Right. These are partial names, indefinite and unsatisfactory unless there be kept the knowledge of the two Infinites, pagan and Christian, which they go between. When both are there, they are like a superb bridge, on which one can stand and know the whole world, my world, the two halves of the universe.

'Essere, o non essere, è qui il punto.'

To be or not to be was the question for Hamlet to settle. It is no longer our question, at least, not in the same sense. When it is a question of death, the fashionable young suicide declares that his self-destruction is the final proof of his own incontrovertible being. And as for not-being in our public life, we have achieved it as much as ever we want to, as much as is necessary. Whilst in private life there is a swing back to paltry selfishness as a creed. And in the war there is the position of neutralization and nothingness. It is a question of knowing how to be, and how not to be, for we must fulfil both. Enrico Persevalli was detestable with his 'Essere, o non essere'. He whispered it in a hoarse whisper as if it were some melodramatic murder he was about to commit. As a matter of fact, he knows quite well, and has known all his life, that his pagan Infinite, his transport of the flesh and the supremacy of the male in fatherhood, is all unsatisfactory. All his life he has really cringed before the northern Infinite of the Not-Self, although he has continued in the Italian habit of Self. But it is mere habit, sham.

How can he know anything about being and not-being when he is only a maudlin compromise between them, and all he wants is to be a maudlin compromise? He is neither one nor the other. He has neither being nor riot-being. He is as equivocal as the monks. He was detestable, mouthing Hamlet's sincere words. He has still to let go, to know what not-being is, before he can be. Till he has gone through the Christian negation of himself, and has known the Christian consummation, he is a mere amorphous heap.