Since the evening when she had wept under her husband’s portrait Valentine had never again felt any disposition to tears. Reaction had come after that outburst. If Gaston were alive—and she could not rid herself of the conviction that he was—it was difficult not to draw the conclusion that he was indifferent to her fate. Seven years, and no sign! Then she told herself again, as she had so often done, that her letters had never reached him, that he had not the slightest reason for supposing her to be still in life, since everybody of her world who had survived the tempest believed her murdered, that she had no evidence of his not having made enquiries after her, or unsuccessful efforts to find her. Only of a successful effort would she have heard. But none of these reasoned considerations could remove the sting of that long silence.

Yet, if Gaston were suddenly to appear before her, would she be able to greet him with that unconcern which she had almost persuaded herself that she felt—and that she ought to feel? She knew she would not. Down in the depths of her soul all the time was the emotion which had pierced her in the picture-gallery—the intense longing to see him again. It was Mirabel which had first made her conscious of this longing, and it was Mirabel which had insensibly fed it. And there were times when she cursed the impulse which had brought her here, for under the crust of indifference which she had hoped was forming over her heart she could feel the stirring of that desire, growing daily not less strong, but stronger.

And then one day it occurred to her that if this Chouan chief of Roland de Céligny’s spoke of writing to the Duc de Trélan about the treasure he must know, or think he knew, Gaston’s whereabouts. More, if he were to send someone to Mirabel after the hoard, as Roland had appeared to think certain, she might communicate at least with this self-styled kinsman of her husband’s by his emissary, whoever he were. Yes, even if he were the Comte de Brencourt; for although that mad passion of his must be many times dead after all these years—and, perhaps, just because of its death—he would surely bear a letter for her back to Brittany . . . even as Roland might have done, had she thought of it in time.

This idea grew in her to an impatience for the coming of the next treasure-seeker. But June went on, and he did not come. Paris celebrated (with insufficient enthusiasm to please the Government) the obsequies of the envoys murdered at Rastadt; commerce continued to decline, discontent and lethargy to become more marked, and Republican feelings suffered outrage at the first performances of the opera of Adrien, wherein the stage emperor made his entry with undue pomp. On the eighteenth came a minor revolution, the coup d’état of the 30th Prairial, with a consequent change of ministry. Valentine heard of it with calm, and June slid presently into July.

(2)

Among the few sightseers who passed the sentry on the 20th of Messidor, a visiting day, was one who, though M. Thibault was too much engrossed in conversation to observe it, never entered the château at all, but strolled round to the garden front. There was nothing to prevent this, though it was hardly ever done. The really remarkable fact about this enterprising visitor was that he did not reappear again at leaving time; but this also passed without remark. Yet he had not vanished into space; he was seated, when twilight came, in that very grotto of Latona whose spring had refreshed Roland, waiting with some impatience for completer darkness. He had already seen as much of the garden front of Mirabel as he wished—a window on the ground-floor with a badly-broken shutter.

Problems connected with the recruiting and organisation of Finistère had kept the Comte de Brencourt longer in Brittany than the Marquis de Kersaint had bargained for, but he was here at last on his mission. Since a detail of the ancient plan had proved susceptible of two interpretations, he hoped to-night to make a preliminary search; after which he would arrange his plan of campaign with the Royalist agents in Paris with whom he was in touch.

More than the question of his difficult enterprise, however, was occupying M. de Brencourt’s mind as he sat in that fantastic relic of the dead and gone world of which he also was a survival. It was impossible to be at Mirabel, even for the first time in his life, without thinking of Mme de Trélan, and, as his refuge darkened, he found himself thinking of little else, and of the extraordinary chance which had thrown her tragic and sacred shadow across his path again. On the windings of that chance Artus de Brencourt, while he waited, had time to meditate profoundly, and sitting there in the July twilight, his chin on his hand, staring at the arbutus which almost blocked the entrance to the grotto, he was asking himself two questions. Why had the Marquis de Kersaint, that kinsman of the Duc de Trélan’s, ceased, after that night at Hennebont, to wear his emerald signet ring; and why had that ring borne, as he then distinctly saw for the first time, the phoenix of the Saint-Chamans? For M. de Kersaint had stated that he was a connection of that house by marriage only. That he was a connection seemed obvious from the minute instructions he had been able to give M. de Brencourt on the topography of Mirabel. This business of the ring intrigued the Comte not a little. He was quite conversant with the device of the great house of Trélan, and over the troop of strange surmises born of the presence of that device on M. de Kersaint’s finger and its abrupt disappearance he was still frowning when the time came for him to make his stealthy entrance into Mirabel.


For all that she had half looked for his arrival, it was chance, of a kind, that directed the Duchesse de Trélan’s steps that evening towards the invader; chance that caused her to have left the special key in the door of the portrait gallery; chance that made her set out, somewhat unnecessarily, to fetch it before she retired for the night—and chance that led her returning footsteps through the great dark spaces of the Salle Verte . . . to hear, as she passed along between the pillars and the wall, a slight muffled noise of tapping—coming whence?