Until recent years the nature-writer had been hardly more than a variant of some long-established species—of the philosopher in Aristotle; of the moralizer in Theobaldus; of the scholar and biographer in Walton; of the traveler in Josselyn; of the poet in Burns. But that was in the feudal past. Since then the land of letters has been redistributed; the literary field, like every other field, has been cut into intensified and highly specialized patches—the short story for you, the muck-rake essay for me, or magazine verse, or wild animal biography. The paragraph of outdoor description in Scott becomes the modern nature-sketch; the “Lines to a Limping Hare” in Burns run into a wild animal romance of about the length of “The Last of the Mohicans”; the occasional letter of Gilbert White’s grows into an annual nature-volume, this year’s being entitled “Buzz-Buzz and Old Man Barberry; or, The Thrilling Young Ladyhood of a Better-Class Bluebottle Fly.” The story that follows is how she never would have escaped the net of Old Man Barberry had she been a butterfly—a story which only the modern nature-writing specialist would be capable of handling. Nature-writing and the automobile business have developed vastly during the last few years.
It is Charles Kingsley, I think, who defines “a thoroughly good naturalist” as one “who knows his own parish thoroughly,” a definition, all questions of style aside, that accurately describes the nature-writer. He has field enough for his pen in a parish; he can hardly know more and know it intimately enough to write about it. For the nature-writer, while he may be more or less of a scientist, is never mere scientist—zoölogist or botanist. Animals are not his theme; flowers are not his theme. Nothing less than the universe is his theme, as it pivots on him, around the distant boundaries of his immediate neighborhood.
His is an emotional, not an intellectual, point of view; a literary, not a scientific, approach; which means that he is the axis of his world, its great circumference, rather than any fact—any flower, or star, or tortoise. Now to the scientist the tortoise is the thing: the particular species Thalassochelys kempi; of the family Testudinidæ; of the order Chelonia; of the class Reptilia; of the branch Vertebrata. But the nature-writer never pauses over this matter to capitalize it. His tortoise may or may not come tagged with this string of distinguishing titles. A tortoise is a tortoise for a’ that, particularly if it should happen to be an old Sussex tortoise which has been kept for thirty years in a yard by the nature-writer’s friend, and which “On the 1st November began to dig the ground in order to the forming of its hybernaculum, which it had fixed on just beside a great tuft of hepaticas.
“P. S.—In about three days after I left Sussex, the tortoise retired into the ground under the hepatica.”
This is a bit of nature-writing by Gilbert White, of Selborne, which sounds quite a little like science, but which you noticed was really spoiled as science by its “tuft of hepaticas.” There is no buttonhole in science for the nosegay. And when, since the Vertebrates began, did a scientific tortoise ever retire?
One more quotation, I think, will make clear my point, namely, that the nature-writer is not detached from himself and alone with his fact, like the scientist, but is forever relating his tortoise to himself. The lines just quoted were from a letter dated April 12, 1772. Eight years afterwards, in another letter, dated Selborne, April 21, 1780, and addressed to “the Hon. Daines Barrington,” the good rector writes:—
“Dear Sir,—The old Sussex tortoise, that I have mentioned to you so often, is become my property. I dug it out of its winter dormitory in March last, when it was enough awakened to express its resentments by hissing, and, packing it in a box with earth, carried it eighty miles in post-chaises. The rattle and hurry of the journey so perfectly roused it that, when I turned it out on the border, it walked twice down to the bottom of my garden.”
Not once, not three times, but twice down to the bottom of the garden! We do not question it for a moment; we simply think of the excellent thesis material wasted here in making a mere popular page of nature-writing. Gilbert White never got his Ph. D., if I remember, because, I suppose, he stopped counting after the tortoise made its second trip, and because he kept the creature among the hepaticas of the garden, instead of on a shelf in a bottle of alcohol. Still, let us admit, and let the college professors, who do research work upon everything except their students, admit, that walking twice to the bottom of a garden is not a very important discovery. But how profoundly interesting it was to Gilbert White! And how like a passage from the Pentateuch his record of it! Ten years he woos this tortoise (it was fourteen that Jacob did for Rachel) and wins it—with a serene and solemn joy. He digs it out of its winter dormitory (a hole in the ground), packs it carefully in a box, carries it hurriedly, anxiously, by post-chaises for eighty miles, rousing it perfectly by the end of the journey, when, liberating it in the rectory yard, he stands back to see what it will do; and, lo! it walks twice to the bottom of the garden!
By a thoroughly good naturalist Kingsley may have meant a thoroughly good nature-writer, for I think he had in mind Gilbert White, who certainly was a thoroughly good naturalist, and who certainly knew his own parish thoroughly. In the letters from which I have quoted the gentle rector was writing the natural history of Selborne, his parish. But how could he write the natural history of Selborne when his tortoise was away over in Sussex!
A tortoise down by Sussex’s brim