The Face of the Fields

by Dallas Lore Sharp

So must we listen to the winter winds, to the whistle of the soaring hawk, to the cry of the trailing hounds.

I have had more than one hunter grip me excitedly, and with almost a command bid me hear the music of the baying pack. There are hollow halls in the swamps that lie to the east and north and west of me, that catch up the cry of the fox hounds, that blend it, mellow it, round it, and roll it, rising and falling over the meadows these autumn nights in great globes of sound, as pure and sweet as the pearly notes of the wood thrush rolling around their silver basin in the summer dusk.

It is a different kind of music when the pack breaks into the open on the warm trail: a chorus then of individual tongues singing the ecstasy of pursuit. My blood leaps; the natural primitive wild thing of muscle and nerve and instinct within me slips its leash, and on past with the pack it drives, the scent of the trail single and sweet in its nostrils, a very fire in its blood, motion, motion, motion in its bounding muscles, and in its being a mighty music, spheric and immortal, a carol, chant and pæan, nature’s “unjarred chime,”—

The fair music that all creatures made

To their great Lord, whose love their motions swayed

In perfect diapason, whilst they stood

In first obedience, and their state of good.

But what about the fox and his share in this gloria? It is a solemn music to him, certainly, loping wearily on ahead; but what part has he in the chorus? No part, perhaps, unless we grimly call him its conductor. But the point is the chorus, that it never ceases, the hounds at this moment, not the fox, in the leading rôle.

“But the chorus ceases for me,” you say. “My heart is with the poor fox.” So is mine, and mine is with the dogs too. Many a night I have bayed with the pack, and as often, oftener, I think, I have loped and dodged and doubled with the fox, pitting limb against limb, lung against lung, wit against wit, and always escaping. More than once, in the warm moonlight of the early fall, I have led them on and on, spurring their lagging muscles with a sight of my brush, on and on, through the moonlit night, through the day, on into the moon again, and on until—only the stir of my own footsteps has followed me. Then doubling once more, creeping back a little upon my track, I have looked at my pursuers, silent and stiff upon the trail, and, ere the echo of their cry has died away, I have caught up the chorus and carried it single-throated through the wheeling singing spheres.