The drowsy silence of the full, hot noon lies deep across the field. Stream and cattle and pasture-slope are quiet in repose. The eyes of the earth are heavy. The air is asleep. Yet the round shadow of my oak begins to shift. The cattle do not move; the pasture still sleeps under the wide, white glare.

But already the noon is passing—to-day I see the signs of coming autumn everywhere.

Of the four seasons of the year summer is the shortest, and the one we are least acquainted with. Summer is hardly a pause between spring and autumn, simply the hour of the year’s noon.

We can be glad with the spring, sad with the autumn, eager with the winter; but it is hard for us to go softly, to pause and to be still with the summer; to rest on our wings a little like the broad-winged hawk yonder, far up in the wide sky.

But now the hawk is not still. The shadow of my oak begins to lengthen. The hour is gone; and, wavering softly down the languid air, falls a yellow leaf from a slender birch near by. I remember, too, that on my way through the woodlot I frightened a small flock of robins from a pine; and more than a week ago the swallows were gathering upon the telegraph wires. So quickly summer passes. It was springtime but yesterday, it seems; to-day the autumn is here.

It is a July day. At dawn the birds were singing, fresh and full-throated almost as in spring. Then the sun burned through the mist, and the chorus ceased. Now I do not hear even the chewink and the talkative vireo. Only the fiery notes of the scarlet tanager come to me through the dry white heat of the noon, and the resonant song of the indigo bunting—a hot, metallic, quivering song, as out of a “hot and copper sky.”

There are nestlings still in the woods. This indigo bunting has eggs or young in the bushes of the hillside; the scarlet tanager by some accident has but lately finished his nest in the tall oaks. I looked in upon some half-fledged cuckoos along the fence. But all of these are late. Most of the year’s young are upon the wing.

A few of the spring’s flowers are still opening. I noticed the bees upon some tardy raspberry blossoms; here and there is a stray dandelion. But these are late. The season’s fruit has already set, is already ripening. Spring is gone; the sun is overhead; the red wood-lily is open. To-day is the noon of the year.

High noon! and the red wood-lily is aflame in the old fields, and in the low tangles of sweet-fern and blackberry that border the upland woods.

The wood-lily is the flower of fire. How impossible it would be to kindle a wood-lily on the cold, damp soil of April! It can be lighted only on this kiln-dried soil of July. This old hilly pasture is baking in the sun; the low mouldy moss that creeps over its thin breast crackles and crumbles under my feet; the patches of sweet-fern that blotch it here and there crisp in the heat and fill the smothered air with their spicy breath; while the wood-lily opens wide and full, lifting its spotted lips to the sun for his scorching kiss. See it glow! Should the withered thicket burst suddenly into a blaze, it would be no wonder, so hot and fiery seem the petals of this flower of the sun.