The Hills of Hingham

by Dallas Lore Sharp

THE DUSTLESS-DUSTER

There are beaters, brooms and Bissell's Sweepers; there are dry-mops, turkey-wings, whisks, and vacuum-cleaners; there are—but no matter. Whatever other things there are, and however many of them in the closet, the whole dust-raising kit is incomplete without the Dustless-Duster.

For the Dustless-Duster is final, absolute. What can be added to, or taken away from, a Dustless-Duster? A broom is only a broom, even a new broom. Its sphere is limited; its work is partial. Dampened and held persistently down by the most expert of sweepers, the broom still leaves something for the Dustless-Duster to do. But the Dustless-Duster leaves nothing for anything to do. The dusting is done.

Because there are many who dust, and because they have searched in vain for a dustless-duster, I should like to say that the Dustless-Duster can be bought at department stores, at those that have a full line of departments—at any department store, in fact; for the Dustless-Duster department is the largest of all the departments, whatever the store. Ask for it of your jeweler, grocer, milliner. Ask for "The Ideal," "The Universal," "The Indispensable," of any man with anything to sell or preach or teach, and you shall have it—the perfect thing which you have spent life looking for; which you have thought so often to have, but found as often that you had not. You shall have it. I have it. One hangs, rather, in the kitchen on the clothes-dryer.

And one (more than one) hangs in the kitchen closet, and in the cellar, and in the attic. I have often brought it home, for my search has been diligent since a certain day, years ago,—a "Commencement Day" at the Institute.

I had never attended a Commencement exercise before; I had never been in an opera house before; and the painted light through the roof of windows high overhead, the strains of the orchestra from far below me, the banks of broad-leaved palms, the colors, the odors, the confusion of flowers and white frocks, were strangely thrilling. Nothing had ever happened to me in the woods like this: the exaltation, the depression, the thrill of joy, the throb of pain, the awakening, the wonder, the purpose, and the longing! It was all a dream—all but the form and the face of one girl graduate, and the title of her essay, "The Real and the Ideal."

I do not know what large and lofty sentiments she uttered; I only remember the way she looked them. I did not hear the words she read; but I still feel the absolute fitness of her theme—how real her simple white frock, her radiant face, her dark hair! And how ideal!

I had seen perfection. Here was the absolute, the final, the ideal, the indispensable! And I was fourteen! Now I am past forty; and upon the kitchen clothes-dryer hangs the Dustless-Duster.

No, I have not lost the vision. The daughter of that girl, the image of her mother, slipped into my classroom the other day. Nor have I faltered in the quest. The search goes on, and must go on; for however often I get it, only to cast it aside, the indispensable, the ultimate, must continue to be indispensable and ultimate, until, some day—

What matters how many times I have had it, to discover every time that it is only a piece of cheesecloth, ordinary cheesecloth, dyed black and stamped with red letters? The search must go on, notwithstanding the clutter in the kitchen closet. The cellar is crowded with Dustless-Dusters, too; the garret is stuffed with them. There is little else besides them anywhere in the house. And this was an empty house when I moved into it, a few years ago.