Wild Life Near Home

by Dallas Lore Sharp

There was not a glimmer in the east when I started. I had covered three miles, and was entering a long stretch of sprout-land when the dawn began. The road was dusty, and the dew-laid powder puffed beneath the soft, swift pats of my feet. Things began to stand out with some distinctness now as the pale light brightened. No wagons had been along, and every mark of the night was plain. Here and there were broad, ragged-edged bands across the road—the trails of the wandering box-turtles. I saw the smooth, waving channel left by a snake that had just gone across. Here and there were bunches of rabbit tracks, and every little while appeared large spots in the road, where some bird had been dusting itself.

Suddenly I made a sharp turn, and almost ran over a whippoorwill concealed in a very cloud of dust which she was flirting up with her wings. This explained the spots back along the road. The bird flew up and settled a few yards ahead of me, and took another hasty dip. This she kept up for nearly a quarter of a mile.

The road was alive with whippoorwills. It was their bathing-hour, and playtime, too. The serious business of the night was done; they had hunted through the first hours, and now it was time to be social. The light was coming rapidly, and so was bedtime; but they called and capered about me, playing away the narrowing night to the very edge of day.

On my return, an hour later, the sun was looking over the tops of the "cut-offs," but he did not see a whippoorwill. They were all roosting lengthwise upon the logs and stumps back among the bushes.

These unnatural, unbirdlike habits of the whippoorwill are matched by the appearance of the bird. The first time one sees a whippoorwill he questions whether its shape and color are the result of its nocturnal life or whether it took to the night to hide its unbeautiful self from the gaze of the day.

It has ridiculously short legs, a mere point of a bill, and a bristled, head-dividing gap that would shame a frog. Looked at in the daylight, its color, too, is a meaningless mixture, as unreal and half done as the rest of the creature. But we should not be so hasty in our judgment. There is design in all things in nature; utility is the first law of creation: and the discovery of plan and purpose is the highest appreciation of beauty.

The whippoorwill's dress must be criticized from the view-point of its usefulness to the bird; then it becomes one of the most exquisitely artistic garments worn. Compare it with that of any other bird, and your wonder at it grows. Another such blending of light and shadow cannot be found. The night herself seems to have woven this robe out of warp from the strands of early dawn and of woof spun from the twilight.

The whippoorwill cannot change the color of its dress with the passing clouds, nor match it with the light green of unfolding leaves and the deep bronze of old tree-trunks, as the chameleon can. But the bird has no need of such control. It is always in harmony with its surroundings. In the falling twilight it seems a shadow among the shadows; in the breaking dawn it melts into the gray half-light, a phantom; at midnight it is only an echo in the dark; and at noontime you would pass the creature for a mossy knot, as it squats close to a limb or rail, sitting lengthwise, unlike any bird of the light.

We need not expect a bird of such irregular habits as the whippoorwill to have the normal instincts of birds, even with regard to its offspring. A bird given to roaming about at night, the companion of toads and bats and spooks, is not one that can be trusted to bring up young. You cannot count much on the domesticity of a bird that flits around with the shadows and fills the night with doleful, spellbinding cries.