I could hear the smothered racket of the singing wrens all about me in the dense growth, scoldings to my right, defiance to my left, discussions of wives, grumblings of husbands, and singing of lovers everywhere, until the whole marsh seemed a-sputter and a-bubble with a gurgling tide of song like a river running in. Now and then, a wave, rising higher than its fellows, splashed up above the reeds and broke into song-spray, as an ecstasy lifted the wee brown performer out of the green.

But these short dashes of the wrens into upper air, I have come to believe, are not entirely the flights of enraptured souls. Something more than Mr. Chapman's "mine of music bursts within them." Before they knew that I was near I rarely saw one make this singing dive into the air; but as soon as they were acquainted with my presence they appeared on every hand. I had not gone fifty feet into their reedy domain when I began to catch a furious berating. The knives of the mowing-machine up in the meadow went no faster nor sharper than these unseen tongues in the reeds. Suddenly a bit of brown fury dashed into view near me, spattered the air thick with song-notes, and, as if veiled by this cloud of melody, it turned on its head and dived back, chattering of all that was seen to the other furies in the reeds.

Does any one believe that exhibition to be an explosion of pure song—the exaltation of unmixed joy? If ever the Ninth Commandment was broken, it was broken here.

This uncontrollable emotion, this shower of song, is but a cloak to the singer's fear and curiosity. He wants to know where I am and what I am about. I once knew a little dog who was so afraid of the dark that he would run barking all the way to the barn when put out at night. So these little spies start up singing their biggest as a blind to their real feelings and purposes.

The quail's broken wings and rushes of blood to the head during nesting-time have lost their lure even for the small boy; yet they somehow still work on me. I involuntarily give my attention to this distress until too late to catch sight of the scurrying brood. I imagine, too, that the oldest and wisest of the foxes is still fooled by this make-believe, and will continue to be fooled to the end of time.

A barren, stony hillside slopes gradually to the marsh where the wrens live. Here I was met by the fifth deceiver, a killdeer plover. The killdeer's crocodile tears are bigger and more touchingly genuine than even the quail's. And, besides all her tricks, she has a voice that fairly drips woe.

The killdeer always builds in a worn-out, pebbly pasture or in a bare, unused field. Here among the stones she makes her nest by scraping out a shallow cavity, into which she scratches a few bits of rotten wood and weed-stalks in sizes that would make good timber for a caddis-worm's house. Instead of digging the cavity, she often hunts up two or three stones and a corn-butt, which happen to lie so that she can crowd in between them, and makes this shift serve her for a nest.

"He wants to know where I am and what I am about."