She drew the writing-pad to her; conjured the vision of nice Doc and of Miss Princess, and, immersed in a sea of feeling, sought for words and rhyme:
O, young Doctor Al is the pride of the West, Than big flashy autos his Ford is the best; Ah! courtly that lover and faithful and true. And fair, wondrous fair, the maiden was, too. But O—dire the day! when from Cleveland afar—
A long pause here: “car,” “scar,” “jar,”—all tried and discarded. Finally sense, rhyme and meter were attuned:
—afar, A dastard she met, their sweet idyl to mar.
He won her away with his glitter and plume And citified ways, while the lover did fume. O, fair dawned the Wedding Day, pink in the East, And folk from all quarters did come for the feast; Gay banners from turrets—
“Missy!”
The poet, head bent, absorbed in creation, did not hear.
“Missy! Where are you? Me-lis-sa!”
This time the voice cleaved into the mood of inspiration. With a sigh Missy put the pad and pencil in the Anthology, laid the whole on the bench, and obediently went to mind the Baby. But, as she wheeled the perambulator up and down the front walk, her mind liltingly repeated the words she had written, and she stepped along in time to the rhythm. It was a fine rhythm. And, as soon as she was relieved from duty, she rushed back to the temporary shrine of the Muse. The words, now, flowed much more easily than at the beginning—one of the first lessons learned by all creative artists.
Gay banners from turrets streamed out in the air And all Maple, Avenue turned out for the pair. Ah! beauteous was she, that white-satin young bride, But sorrow had reddened her deep purple eyes. Each clatter of hoofs from the courtyard below Did summon the blood swift to ebb and then flow; For the gem on her finger, the flower in her hair, Bound not her sad heart to that Cleveland man there.