"Come in!" yelled a raucous voice in an aside to the general uproar. "Come in here——No, by thunder, you played a seven! Well, where is it, then? Show me, pardner; I'm from Missou'. If you played the jack, where is it?"
Bowles pushed open the door, that scraped and sagged as he shoved it, and stepped into a room that was exactly posed for one of those old-fashioned pictures labeled "Evil Associates; or The First Step Toward Destruction." At a long table, upon which burned a smoky lamp, a group of roughly dressed men were wrangling over a game of cards, while other evil-doers looked over their shoulders and added to the general blasphemy. A growth of beard, ranging anywhere from three days' to a week's, served to give them all a ferocious, cave-dweller appearance; and so intent were they on their quarrel that not a man looked up. If Bowles had expected to be the center of the stage, it was from an exaggerated sense of his own importance, for so lightly was he held that no one so much as glanced at him—with the single exception of the red-headed cowboy, who was playing a mouth-organ in the corner—until the missing jack was produced.
A wooden bunk, built against the wall, was weighed down with a sprawling mass of long-limbed men; on the floor the canvas-covered beds of the cowboys were either thrown flat or still doubled up in rolls; and the only other furniture in sight was the two benches by the table and a hot stove that did yeoman service as a cuspidor. The air was thick with the smoke of cigarettes, and those who did not happen to be smoking were chewing plug tobacco, but the thing which struck Bowles as most remarkable was the accuracy with which they expectorated. A half oil-can filled with ashes served as a mark on the farther side; and the big, bull-voiced puncher who had so casually bid him come in was spitting through a distant knot-hole, which was rapidly becoming the center of a "Texas Flag."
Really, it was astounding to Bowles, even after all he had read and seen enacted on the films, to observe the rude abandon of these Western characters, and particularly in their speech. Somehow the Western tales he had read had entirely failed to catch the startling imagery of their vernacular—or perhaps the editors had cut it out. The well-known tendency toward personal violence, however, was ever present, and as Bowles made bold to overlook the game a controversy sprang up which threatened to result in bloodshed.
The bull-voiced man—a burly, hook-nosed Texan, who answered to the name of Buck—was playing partners with a tall, slim, quiet-spoken puncher who centered all his thoughts on the cards; and against them were ranged a good-natured youth called Happy Jack and the presumptuous cowboy who had offered to kiss Dixie Lee. The game was fast, proceeding by signs and grunts and mysterious knocks on the table, and as it neared its close and each man threw down his cards with a greater vehemence, Happy Jack flipped out three final cards and made a grab for the matches. But this did not suit the ideas of the bull moose and his partner, and they rose from their seats with a roar.
"What you claim?" demanded Buck, laying a firm hand on the stakes.
"High, low, and the game!" answered Happy Jack wrathfully.
"You ain't got no game," put in the quiet puncher. "Why don't you play yore hand out instead of makin' a grab?"
"Here now!" spoke up Dixie Lee's miscreant friend, leaning half-way across the table. "You-all quit jumpin' on Happy or I'll bust you on the cabezon!"
"Yes, you will!" sneered Buck, shoving his big head closer, as if to dare the blow. "You don't look bad to me, Hardy Atkins, and never did; and don't you never think for a moment that you can run it over me and Bill, because you cain't! Now you better pull in that ornery face of yourn while it's all together—and we're goin' to count them cards, by this-and-that, if it's the last act!"