"Well, let him come to the balcony and say his 'buenas noches,'" answered Phil resentfully.
"The gentleman refuses to do that," responded Don Juan briefly.
"Then let him go to bed!" replied De Lancey, strumming a few syncopated chords. "I'm singing to his daughter."
At that Don Juan came down off the porch in his slippers and they engaged in a protracted argument.
"What, don't I get a word," demanded Phil grievously, "not a pleasant look from anybody? 'Swee-eet honey-bee, be sweet to me!'" he pleaded, turning pathetically to the lady's balcony; and then, with a sudden flourish, a white handkerchief appeared through the crack of the shutters and Gracia waved him good night.
"Enough, Don Juan!" he cried, laying down the guitar with a thump. "This ends our evening's entertainment!"
After paying and thanking the stolid musicians Phil joined Bud and the pair adjourned to their room where, in the intervals of undressing, Phil favored the occupants of the adjoining apartments with an aria from "Beautiful Doll."
But for all such nights of romance and music there is always a morning afterward; and a fine tenor voice set to rag-time never helped much in the development of a mine. Though Bud had remained loyally by his friend in his evening serenade he, for one, never forgot for a moment that they were in Fortuna to work the Eagle Tail and not to win the hearts of Spanish-Mexican señoritas, no matter how attractive they might be.
Bud was a practical man who, if he ever made love, would doubtless do it in a perfectly businesslike way, without hiring any string bands. But at the same time he was willing to make some concessions.
"Well, go ahead and get your sleep, then," he growled, after trying three times in the morning to get his pardner up; "I'm going out to the mine!"