He tipped his helmet forward, mocked me with a deep bow, and said,
"This one: A fellow had been started toward Davy Jones's locker three times by 'subs.' Finally he got a tub that made through connections; and, as he came up the harbor of 'little ol' Broadway,' he saw the 'Lady' standing up there and looking out through the mist, holding the lamp up to the window for him, and saying, 'Hello, kid; welcome home!' and he swallowed his Adam's apple, stood at attention, saluted, and said, 'Thank you, madam; I'm mighty glad to see you. But, if you ever see me again, you'll have to turn around!'"
He didn't wait for a laugh. He knew that the tale had "whiskers" and that many a man now old "had kicked the slats out of his cradle" in protesting against its resurrection. He hadn't told it to amuse me, but to "spill himself." But I laughed just the same, for it was richly done.
I watched the artist of the story as he proceeded to unlimber "Jenny," the fifteen-dollar talking-machine that stood in the far corner of the cellar in which this particular Y. M. C. A. canteen was located. No corner of that cellar was as far as thirty feet from any other corner. It was not more than sixteen hundred yards from our most advanced position, and directly in front of a great battery which just then was exchanging "calls" with the enemy. It sounded like a dozen Fourth of Julys outside, with cannon crackers and bombs not excluded.
The story-teller fingered through the records until he found the one his mood called for; then he removed his helmet to ease his weary head,—regulations allowed him to uncover while underground,—sat down on a biscuit-box directly in front of the sound-chamber, and, with his unshaven chin in his dirty, cracked hand, waited, close up, for the first word. There, in that old cellar under a ruined French chateau, I heard Alma Gluck sing "Little Gray Home in the West." She has sung it to vast multitudes in great halls, and to distinguished people in quiet parlors; she has set the world a-weeping with the exquisite pain of her song; but she never sang more effectively than she sang that night among the noisome odors of a dark dugout of the front line, with shrapnel and high explosives for an accompaniment and a homesick lad from Montana for her audience.
What is the spirit of the trenches? It is the spirit of rare comradeship. I never saw a man injure another man up there, or seek to. Quarrels? Sure! and personal encounters now and then, but these are few and far between. There are little time and strength for them, of course, and there are few opportunities; but, when they do happen, they are differences of words that do not have two meanings and of fists that come through the open.
I have seen a man carry, in addition to his own kit, the entire equipment of another man who was suffering from gas. Three miles and a half, under the severest conditions of opening spring, through mud-filled trenches he walked with his double load, helping a man he had never seen before.
In one of our companies were two Portuguese. One could not speak English. He was terribly dependent upon his "buddy." While I was with the battalion to which his company belonged, the "buddy" was killed. The distress of the man who did not understand the language of the country he loved and for whose just cause he had volunteered his all was most affecting. But how the other men of that company got about him! They swore that he should not have a single lonely minute. Indeed, they nearly ruined the chap with their kindness. They were in a fair way to destroy his stomach with their gifts and his constitution by their vigilance, which actually robbed him of sleep, when a wise-headed corporal took command of the situation and set them right.