Tack the ends of two pieces of the black stuff on the uprights, LO, and MP, and extend one piece back to B, D, and the other to A, C, and tack them to the back frame; also stretch a piece of black muslin from A, C, to B, D. This will make the interior of the fireplace dark and mysterious.
Next take a pot of white paint and a small brush, and rule white horizontal lines all around the fireplace and chimney; then paint upright lines, as shown in the illustration (Fig. 257). This will give the effect of stonework with white plaster between.
Place a smooth board upon the projecting supports, R and S, for the mantel, and the work will be done. If you can secure some old-fashioned brass candlesticks and an antique clock, for your mantel, they will add greatly to the effect. A pair of andirons, with some charred sticks of wood, will give a realistic touch which will win applause (Fig. 257).
Our American St. Nicholas
is a jovial little fellow, with a very red nose, white hair, white beard, short pipe, fur-trimmed clothes, and a little round belly—which shakes when he laughs, like a bowl full of jelly. Every youngster also knows that he comes in a little sleigh, drawn by eight tiny reindeer; but in spite of this universal knowledge among the children of America of Santa Claus’ personal characteristics, the long-legged saint of Europe still fills our illustrated papers, each year as heretofore, and badly upholstered giants are made to stand for the saint in all the shop-windows, and frighten the children out of their seven senses. It is a fact that many of the little ones take these big ungainly giants for the ones which Jack the Giant-killer is supposed to have slain.
Fig. 257.—Ready for Christmas.
All American children love their little American Christmas saint, whose individuality was born with the verses beginning
“It was the night before Christmas, and all through the house