Whoever knew Hampton Court before it was begun to be rebuilt, or altered, by the late King William, must acknowledge it was a very complete palace before, and fit for a king; and though it might not, according to the modern method of building or of gardening, pass for a thing exquisitely fine, yet it had this remaining to itself, and perhaps peculiar—namely, that it showed a situation exceedingly capable of improvement, and of being made one of the most delightful palaces in Europe.
This her Majesty Queen Mary was so sensible of, that, while the king had ordered the pulling down the old apartments, and building it up in that most beautiful form which we see them now appear in, her Majesty, impatient of enjoying so agreeable a retreat, fixed upon a building formerly made use of chiefly for landing from the river, and therefore called the Water Galley, and here, as if she had been conscious that she had but a few years to enjoy it, she ordered all the little neat curious things to be done which suited her own conveniences, and made it the pleasantest little thing within doors that could possibly be made, though its situation being such as it could not be allowed to stand after the great building was finished, we now see no remains of it.
The queen had here her gallery of beauties, being the pictures at full-length of the principal ladies attending upon her Majesty, or who were frequently in her retinue; and this was the more beautiful sight because the originals were all in being, and often to be compared with their pictures. Her Majesty had here a fine apartment, with a set of lodgings for her private retreat only, but most exquisitely furnished, particularly a fine chintz bed, then a great curiosity; another of her own work while in Holland, very magnificent, and several others; and here was also her Majesty’s fine collection of Delft ware, which indeed was very large and fine; and here was also a vast stock of fine china ware, the like whereof was not then to be seen in England; the long gallery, as above, was filled with this china, and every other place where it could be placed with advantage.
The queen had here also a small bathing-room, made very fine, suited either to hot or cold bathing, as the season should invite; also a dairy, with all its conveniences, in which her Majesty took great delight. All these things were finished with expedition, that here their Majesties might repose while they saw the main building go forward. While this was doing, the gardens were laid out, the plan of them devised by the king himself, and especially the amendments and alterations were made by the king or the queen’s particular special command, or by both, for their Majesties agreed so well in their fancy, and had both so good judgment in the just proportions of things, which are the principal beauties of a garden, that it may be said they both ordered everything that was done.
Here the fine parcel of limes which form the semicircle on the south front of the house by the iron gates, looking into the park, were by the dexterous hand of the head gardener removed, after some of them had been almost thirty years planted in other places, though not far off. I know the King of France in the decoration of the gardens of Versailles had oaks removed, which by their dimensions must have been above an hundred years old, and yet were taken up with so much art, and by the strength of such engines, by which such a monstrous quantity of earth was raised with them, that the trees could not feel their remove—that is to say, their growth was not at all hindered. This, I confess, makes the wonder much the less in those trees at Hampton Court gardens; but the performance was not the less difficult or nice, however, in these, and they thrive perfectly well.
While the gardens were thus laid out, the king also directed the laying the pipes for the fountains and jet-d’eaux, and particularly the dimensions of them, and what quantity of water they should cast up, and increased the number of them after the first design.
The ground on the side of the other front has received some alterations since the taking down the Water Galley; but not that part immediately next the lodgings. The orange-trees and fine Dutch bays are placed within the arches of the building under the first floor; so that the lower part of the house was all one as a greenhouse for sometime. Here stand advanced, on two pedestals of stone, two marble vases or flower-pots of most exquisite workmanship—the one done by an Englishman, and the other by a German. It is hard to say which is the best performance, though the doing of it was a kind of trial of skill between them; but it gives us room, without any partiality, to say they were both masters of their art.
The parterre on that side descends from the terrace-walk by steps, and on the left a terrace goes down to the water-side, from which the garden on the eastward front is overlooked, and gives a most pleasant prospect.
The fine scrolls and bordure of these gardens were at first edged with box, but on the queen’s disliking the smell those edgings were taken up, but have since been planted again—at least, in many places—nothing making so fair and regular an edging as box, or is so soon brought to its perfection.
On the north side of the house, where the gardens seemed to want screening from the weather or the view of the chapel, and some part of the old building required to be covered from the eye, the vacant ground, which was large, is very happily cast into a wilderness, with a labyrinth and espaliers so high that they effectually take off all that part of the old building which would have been offensive to the sight. This labyrinth and wilderness is not only well designed, and completely finished, but is perfectly well kept, and the espaliers filled exactly at bottom, to the very ground, and are led up to proportioned heights on the top, so that nothing of that kind can be more beautiful.