Through the association of his person with the prying winds he came, curiously enough, to be the patron saint of a certain class of thieves, who stupefied their victims before robbing them. They applied to him to exercise his maleficent power on those whom they planned to deprive of their goods. His image was borne at the head of the gang when they made their raids, and the preferred season was when his sign was in the ascendant.[116] This is a singular parallelism to the Aryan Hermes myth, as I have previously observed ([Chap. I]).
The representation of Quetzalcoatl in the Aztec manuscripts, his images and the forms of his temples and altars, referred to his double functions as Lord of the Light and the Winds.
He was not represented with pleasing features. On the contrary, Sahagun tells us that his face, that is, that of his image, was "very ugly, with a large head and a full beard."[117] The beard, in this and similar instances, was to represent the rays of the sun. His hair at times was also shown rising straight from his forehead, for the same reason.[118]
At times he was painted with a large hat and flowing robe, and was then called "Father of the Sons of the Clouds," that is, of the rain drops.[119]
These various representations doubtless referred to him at different parts of his chequered career, and as a god under different manifestations of his divine nature. The religious art of the Aztecs did not demand any uniformity in this respect.
[§5. The Return of Quetzalcoatl.]
Quetzalcoatl was gone.
Whether he had removed to the palace prepared for him in Tlapallan, whether he had floated out to sea on his wizard raft of serpent skins, or whether his body had been burned on the sandy sea strand and his soul had mounted to the morning star, the wise men were not agreed. But on one point there was unanimity. Quetzalcoatl was gone; but he would return.
In his own good time, in the sign of his year, when the ages were ripe, once more he would come from the east, surrounded by his fair-faced retinue, and resume the sway of his people and their descendants. Tezcatlipoca had conquered, but not for aye. The immutable laws which had fixed the destruction of Tollan assigned likewise its restoration. Such was the universal belief among the Aztec race.
For this reason Quetzalcoatl's statue, or one of them, was in a reclining position and covered with wrappings, signifying that he was absent, "as of one who lays him down to sleep, and that when he should awake from that dream of absence, he should rise to rule again the land."[120]