The ruler of the realm of shadows is not a malevolent being. Osiris, Hades or Pluto, Mictlantecutli, Quetzalcoatl, all originally represented the sun in its absence, and none of them in any way corresponds to the mediæval or modern notion of the devil. As Osiris, who is unquestionably the departed Sun-god, was represented with heavy and braided hair, so his Aztec correlative was also named Tzontemoc, which means, he of the abundant falling hair. In each case the analogy was to the long slanting rays of the setting sun.
The role of the dog in these myths is a curious one. He appears as a guardian and preserver. Even Cerberus is good to the good soul. It has been argued by the eminent Sanscrit antiquary Rajendalala, in his late volume on the Indo-Aryans, that this is a reminiscence of an ancient custom of throwing the dead bodies to the dogs to be consumed, rather than have them decay. This to me is not a very satisfactory explanation, but I have none other to offer in its place, and I therefore merely call attention to this singular similarity of notions.
Though I have confined my comparison to these three ancient nations, you would err widely if you imagine that it is for lack of material to extend it. I could easily summon numberless other analogies from classic, from Persian, from Turanian, from Semitic sources, to show that these notions were almost universal to the race of man.
They carried themselves into early Christian teachings, and to-day the wording of this ancient Sun-myth is repeated in most of the churches of Christendom. We have but to mention the “river of death” which is supposed to limit human life; we have but to look at the phraseology of the Nicene Symbol, where it is said that Christ “descended into hell (Hades),” and after three days rose from the dead and ascended into heaven, to see how persistently the old ideas have retained their sway over the religious sentiments and expressions of man.
THE SACRED SYMBOLS IN AMERICA.[[172]]
What I am about to say is, to a certain degree, polemical. My intention is to combat the opinions of those writers who, like Dr. Hamy, M. Beauvois and many others,[[173]] assert that because certain well-known Oriental symbols, as the Ta Ki, the Triskeles, the Svastika and the Cross, are found among the American aborigines, they are evidence of Mongolian, Buddhistic, Christian or Aryan immigrations, previous to the discovery by Columbus; and I shall also try to show that the position is erroneous of those who, like William H. Holmes, of the Bureau of Ethnology, maintain that “it is impossible to give a satisfactory explanation of the religious significance of the cross as a religious symbol in America.”[[174]]
In opposition to both these views I propose to show that the primary significance of all these widely extended symbols is quite clear; and that they can be shown to have arisen from certain fixed relations of man to his environment, the same everywhere, and hence suggesting the same graphic representations among tribes most divergent in location and race; and, therefore, that such symbols are of little value in tracing ethnic affinities or the currents of civilization; but of much import in investigating the expressions of the religious feelings.
Their wide prevalence in the Old World is familiar to all students. The three legs diverging from one centre, which is now the well-known arms of the Isle of Man, is the ancient Triquetrum, or, as Olshausen more properly terms it, the Triskeles,[[175]] seen on the oldest Sicilian coins and on those of Lycia, in Asia Minor, struck more than five hundred years before the beginning of our era. Yet, such is the persistence of symbolic forms, the traveler in the latter region still finds it recurring on the modern felt wraps used by the native inhabitants.[[176]] As a decorative motive, or perhaps with a deeper significance, it is repeatedly found on ancient Slavic and Teutonic vases, disinterred from mounds of the bronze age, or earlier, in Central and Northern Europe. Frequently the figure is simply that of three straight or curved lines springing from a central point and surrounded by a circle, as:
Fig. 1.